A Quote by Steve Stoute

Look at music like gaming. You monetize the game to all the people who are most engaged. I wanted to bring that theory and thinking to music. — © Steve Stoute
Look at music like gaming. You monetize the game to all the people who are most engaged. I wanted to bring that theory and thinking to music.
I've always been interested in gaming, growing up as a kid. I played games all my life. So once I got into the music industry and I was successful with my music, I always wanted to get into the gaming world.
If 5000 people bought my record, I would appreciate those 5000 people. I make music for them because music isn't supposed to be so money driven. I didn't get into the music game because I wanted to make money. I sing because that's a God given talent of mine and it's something I love to do. If it's 10,000 or a million people, I'm going to give people the music they like from me. That's what being an artist is. Whoever likes your work, that's who you do it for.
The concept of what I want to do as an artist has not changed at all. When I was seven years old, I fell in love with writing songs and knew I wanted to make music and play it for a lot of people. Back then I said I wanted to heal people with music and bring them together. I called my music, "PAZZ," which means pop and jazz. To this day, all of those things still ring crystal clear.
You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.
I always wanted to be a musician, 100 percent, my whole life. I went to school, I did music theory, I did voice training and piano lessons, and while I was a decent musician, it didn't seem like enough for me. I felt like I wanted to make more than just music.
My music is music that Christians and Catholics can listen to. Muslims. Buddhists. And non-religious people as well. It's just music. You can look at the music in several different ways. It's music for everybody.
I also combined the R&B feel with the pop music of Taiwan... I wanted to bring the R&B flavor and other Westernized sounds to my music, because that's the type of music I grew up listening to.
Everyone has learned how to monetize music except the music industry.
There is good and evil within all of us, and I enjoy searching to bring that out through my music. I like it that there are questions brought out by my music. People must look inside themselves for the answers
I saw lots of music devices. I loved playing with music devices. And like most of the world, I thought of a music device as a music device. Steve Jobs tends to look beyond that, and he doesn't see a music device as having any importance at all - how fast it is, how many songs it can hold, and all that - he sees music itself to a person as a being the important thing.
I think the consumption of music is at an all-time high. But I think the ways that record companies are trying to monetize it is just all over the place. At the end of the day, music is in the clouds. Before, you could hold it, look at it, turn it around. Now, it's just in the air.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
Studying music in a conservatory would be stifling for me, although I respect people who can do it. And by no means am I an expert at notating music or music theory - that's not really my world.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
As a fan of music, I don't like that artists release one body of music a year and then disappear because it's hard to relate to that. I wanted to be able to bring my fans along on my journey and have them really feel like they're living my life with me.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
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