A Quote by Steve Swallow

Occasionally, when I run into a great bass backstage at a festival I'll play a few notes on the low E string, just to feel the instrument vibrate against my belly. — © Steve Swallow
Occasionally, when I run into a great bass backstage at a festival I'll play a few notes on the low E string, just to feel the instrument vibrate against my belly.
My first instrument was bass, and the first thing that I remember learning to play that was better than a few notes was Fleetwood Mac's 'The Chain.' If you're the guy who penned that bass riff, then you should probably be in some sort of fantasy band.
My favorite guitar now is my Martin HD-7 because it's got everything. It's got the jingle-jangle thing from the twelve string, it's got the flexibility of the six string, and the bass notes where you can do bass runs and that sort of thing.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
The hardest instruments for women to play are bass and drums. Drums because of the physicality needed and bass just because its heavy and it's not an easy instrument to play.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.
When you have a heartfelt belly laugh, all parts of your being - the physiological, the pyschological, the spiritual - they all vibrate in one single tune. They all vibrate in harmony!
Maybe that's what makes my stuff different, 'cause I write it all on the bass. I can't play but a few chords on the guitar, so the bass works just fine for me.
Harmonics are vibrations a fraction of the length of the vibrating string, which add higher-pitched and more complex content to the notes. With a dull instrument, the harmonics die out, but with a sustaining instrument, the harmonics continue to sound along with the fundamental note.
I bought my first bass because I wanted to be in a Band, and heard that it was the easiest instrument to play. A friend told me that it was the sexiest instrument.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.
The fact that I'm a fifth of Punch Brothers... that's lucky for me because I feel like I get to operate in the context of one of the great string bands. There's just not another string band I would rather be in, and i'm just compelled to make music for and with string bands. It's what I know, and it's kind of like who I am.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
If you're going to play bass, then play bass how you play bass. You can learn technique and theory, but we want to hear what you have to offer.
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