A Quote by Steve Toltz
Regrets came up and asked me if I’d like to own them. Declined them for the most part but took a few just so I wouldn’t leave this relationship empty handed.
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Otis barreled towards them empty-handed, before apparently realizing that a) he was empty-handed and b) charging towards a large body of water to fight a son of Poseidon was maybe not a good idea.
A long time ago, I took a walk down a street in Harlem in New York City. I came upon a man who asked me for a dollar. He had asked a few other people before me, but they only passed him by without glancing his way. I stopped and handed the man some money. As I began to turn away, he reached out and shook my hand. He looked me in the eyes and said, "I will bless you." Now, I'm not saying that was God Himself. But how do we know that it wasn't someone working for him, walking around in disguise, just to see what we would do?
Most people enter into relationships with an eye toward what they can get out of them, rather than what they can put into them. The purpose of a relationship is to decide what part of yourself you'd like to see "show up," not what part of another you can capture and hold. The purpose of a relationship is not to have another who might complete you; but to have another with whom you might share your completeness.
I opened up my mind as far as playing music. I was at a Cody Chesnutt concert a few years ago, and a friend introduced me to him. We just started talking about music, and he asked me what I did. I said, "I have these songs and I'm kind of nervous to put them out, because I've just kind of been playing blues stuff, and playing other people's songs." He said, "You should just put them out there, man. Why not? It's just gonna bother you if you don't. The easiest thing to do is to just let it go." So I just took that with me.
But then one regrets the loss even of one's worst habits. Perhaps one regrets them the most. They are such an essential part of one's personality.
My dogs can't do anything--and what a relief. I don't make any demands of them, and I don't try to shape them or their future. For the most part, I trust them to make the right choices for themselves. I always look forward to seeing them, and I love just watching them sleep. What a great relationship.
Born empty handed,
Die empty handed.
I witnessed life at its fullest,
Empty handed.
The killing of everyone was the easy part, the most difficult part was lathering them up and shaving them, that's the part that freaked me out the most.
But friends invited me to a private screening of Emmanuelle and said I'd learn a few things. But I know all the swear words. I just don't use them. So I declined
But friends invited me to a private screening of Emmanuelle and said I'd learn a few things. But I know all the swear words. I just don't use them. So I declined.
In myths and movies, the mentor can play a few roles: they bring the hero a magical gift, teach them how to use a special tool, or help the hero get unstuck. In a presentation setting, the presenter is the mentor. Our role as a presenter is similar to a mentor. We should be brining something of important value to our audience, they should not leave empty handed. There should be something useful and somewhat life-altering that we give them. It's not very often that we sit through a presentation and feel like we've sat at the feet of a mentor, but we should.
When I first got asked to run for the state Senate, I was asked by a number of legislators I had worked with, and I thanked them and declined.
I've grown up in the film industry and I've been watching them, analyzing them, laughing at them, totally understanding them and getting their point of view, and, at times, taking up for them. So I'm part of it and it's part of me.
One fan asked me to sign their sock. That was crazy. They just took off their shoe and handed me their sock and asked if I'd sign it.
I feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.
And what of regrets? I shall live with them. I shall accept my regrets as part of my life, to be numbered among my self-inflicted wounds. But I will not endlessly gaze at them. I shall allow the memories to prod me into doing better with those still living. And I shall allow them to sharpen the vision and intensify the hope for that Great Day coming when we can all throw ourselves into each other's arms and say, "I'm sorry."
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