A Quote by Steve Toltz
I have that sort of Curb Your Enthusiasm, Larry David/George Costanza thing where people are like, "How did you feel writing such an unlikable character?" And I'm like, "It's me! I based him on myself!" There are certain moments where they do feel like unwittingly personal attacks.
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I loved character actresses like Julie Walters and Alison Steadman, films like 'Nuts in May' and 'Educating Rita.' And I never get tired of watching Larry David and 'Curb Your Enthusiasm.'
Being Larry David on Curb Your Enthusiasm was the best thing to happen to Larry David in life.
My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.
After my episode of 'Curb Your Enthusiasm' ran, Larry David and JJ Abrams were like, 'I discovered her,' but I was like 'Hold up. Please. I'm from 'Next Friday.' Everybody knows me!'
I'm not a Larry David. I don't have a 'Curb Your Enthusiasm' and a 'Seinfeld' in me.
I don’t want to love him—this would be so much simpler if I didn’t. But I do. He’s funny, and passionate, and strong, and he believes in me more than I even believe in myself. When he looks at me, I feel like I could take on the whole world and come out standing tall. I like myself better when I’m with him, because of how he sees me. He makes me feel beautiful and powerful, like I’m the most important thing in the world, and I don’t know how to walk away from that. I don’t know how to walk away from him.
Here's the rule that I set for myself, and I believe it - even on a show like 'Curb Your Enthusiasm': the more personal you are, the wider your audience.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
There are certain things in 'Twilight'... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it's a first-person narrative.
[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
The nicest thing about coaching is that one day you feel like you can play handball against a curb, and on other days you feel like you can fly to the moon.
For myself, I feel more natural writing stories or novels than writing plays. I feel more like myself, like I can express myself better, and like I have a greater clarity about what I want to do.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
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