A Quote by Steve Toltz

There's only one common element that united every writer I've admired... they're all incredibly well-read. — © Steve Toltz
There's only one common element that united every writer I've admired... they're all incredibly well-read.
It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.
When I was a kid and a young man I read everything. When I was about 23, I was incredibly lucky in that I wound up with several book review columns, which meant that I had to read huge amounts of stuff that was outside my experience and outside my comfort zone. I think every young writer should be forced to read the kind of stuff they would not normally read for pleasure.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.
There is required for the composition of a great commander not only massive common sense and reasoning power, not only imagination, but also an element of legerdemain, an original and sinister touch, which leaves the enemy puzzled as well as beaten.
Commonwealth is the only alternative for Puerto Rico. It is the only alternative that harmonizes the aspirations and goals of the modern world by protecting Puerto Rico's identity and simultaneously guaranteeing its relationship with the United States, complete with a common market, common citizenship, common defense, and common currency.
I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
We all want a United Africa, United not only in our concept of what unity connotes, but united in our common desire to move forward together in dealing with all the problems that can best be solved only on a continental basis.
Over the years, humans have managed to incorporate nearly every element, light and weighty, common and obscure, into our daily lives. And given how small atoms are and how many of them there are all around us, it's almost certain that your body has at least brushed against an atom of every single natural element on the periodic table.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
It was dope to the point where I felt like Common almost admired me as much as I admired him. He took us to the hotel, and then he was going through his phone, rapping his raps to me. I was like, Is Common rapping to me right now, trying to get my feedback?
Naturally, since I myself am a writer, I do not wish the ordinary reader to read no modern books. But if he must read only the new or only the old, I would advise him to read the old.
And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
And its very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
And that's why books are never going to die. It's impossible. It's the only time we really go into the mind of a stranger, and we find our common humanity doing this. So the book doesn't only belong to the writer, it belongs to the reader as well, and then together you make it what it is.
This site uses cookies to ensure you get the best experience. More info...
Got it!