A Quote by Steve Toltz
I made some probably very cringe-worthy short films that shall hopefully never make the light of day.
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I'm very happy with the success of short films. In fact, for me, the short films make more money than the features.
Im very happy with the success of short films. In fact, for me, the short films make more money than the features.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
I made lots of short films, about nine or ten short films. And then I made a television film called 'This Little Life.'
When I was 12 I made some little films with my friends. I tried to make gangster films, like Fantomas, but I remember being very disappointed with them. They weren't frightening at all. I'm sure they'd be very funny now.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
Some of the gangster films I made - not so much the 'Krays,' because I'm really proud of that - but some of the films I made after that... There are a few of those movies I wish I'd never gone near. I'm proud of about 10 percent that I've ever done. If I never see the rest again I won't mind.
Play the man, Mastre Ridley; we shall this day light such a cndle, by God's grace in England, as I trust shall never be put out.
At the end of the day, what difference does it make if you made 10 films or 18 films? You made 10 films, but you had a great relationship with your kids, or at least you did your best not to screw them up irrevocably, or you made 18, and they don't return your phone calls.
I have not yet learned to live, that I can see, and I fear that I shall not very soon. I find, however, that in the long run things correspond to my original idea,--that they correspond to nothing else so much; and thus a man may really be a true prophet without any great exertion. The day is never so dark, nor the night even, but that the laws at least of light still prevail, and so may make it light in our minds if they are open to the truth.
The problem with working with a record label is they maybe a song I want to make a video for that they will refuse to make a video for because they don't see that song as a single. And I found that very frustrating. I realised what I was doing was making these short films for the blind. They were films and all you had to do was put some headphones on and close your eyes and listen to my voice and you'd be able to visualise the images that I'm putting into your brain. And so I started calling what I was doing 'films for the blind'.
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
Not to discriminate every moment some passionate attitude in those about us, and in the very brilliancy of their gifts some tragic dividing of forces on their ways, is, on this short day of frost and sun, to sleep before evening. With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made straight and the glory of the Lord shall be revealed and all flesh shall see it together.
To be honest, I make very controversial films. The films that I've made have been very, very bold choices.
Very few movies remain in public memory as landmark films and I want to see whether 3 Idiots will be up there with some of the wonderful films that have come out of this country...Hopefully, we'll come to know in a few years whether it can become one of the great films.
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