A Quote by Steve Vai

The tone is in your fingers, not in your amp or effects. — © Steve Vai
The tone is in your fingers, not in your amp or effects.

Quote Topics

Everything Paul Kossoff did came from his fingers and went right into the amp. He was his own effects unit.
Playing a flute is like writing a book. You're telling what's in your heart...It's easier to play if it's right from your heart. You get the tone, and the fingers will follow.
Get a book, so you know where to put your fingers. Otherwise it would be tough to learn. Also you have to fight through getting callouses on your fingers because it hurts, you are pressing your fingers on metal strings, they will hurt at first until you start building up callouses.
Something in the movement of fingers on the keyboard enhances thought. Fingers pull your thoughts forward. Fingers are in some way an extension of your brain, with a lot of cortex associations at their trigger. Get them going!
I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.
It's easy to get a good amp that might not be the right amp for you. When you go to a music store, really turn the amps on and turn 'em up - hopefully they'll let you - and work through the sounds. This is an important decision, so take your time and be methodical.
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
I can't help but think that at the end of your life, when you look back, there'll be a tone. And that tone will come from the essence of how you live your day to day what you did in that between time because that is really your life.
Push-ups are seriously the best way to tone your arms - and they tone your abs at the same time! I like to do them when I'm home watching TV or listening to music.
Consider what effects that might conceivably have practical bearings you conceive the objects of your conception to have. Then, your conception of those effects is the whole of your conception of the object.
There are many reasons, of course, why someone might snap their fingers and grin. If you heard some pleasing music, for instance, you might snap your fingers and grin to demonstrate that the music had charms that could soothe your savage breast. If you were employed as a spy, you might snap your fingers and grin in order to deliver a message in secret snapping-and-grinning code.
Nothing can duplicate the sheer power and feeling you get from standing in front of your amp and bashing on your guitar.
I get my fingers in all our pies. Before you know it, your little fingers including all your toes are in all the pies.
What on earth can you do on this earth but catch at whatever comes near you, with both your fingers, until your fingers are broken?
When you work at a microscopic level, you have to control every part of your body movement - your fingertips, your joints, the pulse in your fingers.
At the end of the day, you, as the player, create the tone coming out of the amp. The gear is part of it but by no means all of it.
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