A Quote by Steve Vai

Play slow and perfect - that’s the way to becoming a virtuoso. — © Steve Vai
Play slow and perfect - that’s the way to becoming a virtuoso.
Baseball does become slow sometimes. It's totally unnecessary. The - you can play baseball fast. You can play it slow, and for some reason, we have chosen to play it slow, you know, which is unfortunate, but nothing you can do about.
I just feel like the way that I play, you know, I'm such a patient runner that a lot of people look at me as slow. But I'm not a slow guy.
We won't be perfect on this side of heaven. But Jesus is perfect. Always. We are becoming more holy and true. Jesus already is. His name isn't “Becoming.” It is “I Am.” Perfection isn't the goal. Jesus is.
To image the being of God towards the world, to be the priest of creation, is to behave towards the world in all its aspects, of work, and of play, in such a way that it may come to be what it was created to be, that which praises its maker by becoming perfect in its own way. In all this, there is room for both usefulness and beauty to take their due place, but differently according to differences of activity and object.
You make other team think you going one way and you got to sell the move going that way and you've got to really make them think that you're going that way and they're going the other way. When it ends up ultimately being a perfect crossover is when you shake them so bad that they can't even get back into the play to play defense. You're already gone. That's what I think the perfect one is to where a teammate of his has to stop you from scoring.
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
what I love is slowness. Slow people, slow reading, slow traveling, slow eggs, and slow love. Everything good comes slow.
I'm a pretty good drummer. I'm pretty good at guitar, bass and piano. I can play accordion; I'm not virtuoso. I've played cello before. My sister played it, and I know how to play it, but I'm not the best. Violin is kind of the same thing.
The virtuoso element in jazz playing, all those very fast runs in the upper extremes, simply doesn't appeal to me. That's why I don't want to make my concerto "virtuosic" in the sense of a technical show-off. I want a beautiful sound and a melodic and lyrical line. I am more interested in the way someone can play musically.
It is one thing to be a virtuoso, but a different thing to play with compassion.
I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.
The way I play the drums, it's becoming tougher as I get older.
Be fast on the field physically, but play slow mentally. Basically, play hard but play smart.
I will play power forward and small forward. Rebound, lead the break, play on the wing, post, play fast and play slow.
There's a bunch of different ways to play the game of golf. You don't need to play it one way. It doesn't need to be one swing that's perfect out there.
It’s tempting to wish for the perfect boss, the perfect parent, or the perfect outfit. But maybe the best any of us can do is not to quit, play the hand we’ve been dealt, and accessorize what we’ve got.
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