A Quote by Steve Vai

That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
Being called 'conscious' is a great thing to be, but it's the connotations and preconceived notions that come with the buying audience about what conscious music can be.
Happiness is the most natural thing in the world when you have it, and the slowest, strangest, most impossible thing when you don't. It's like learning a foreign language: You can think about the words all you want, but you'll never be able to speak it until you suck up your courage and say them out loud.
Emotionally, light very much influences, I feel, the audience. It's not something that most audience members are conscious of, which is a good thing, because it means as filmmakers, we have the opportunity to gently control an audience into feeling a certain way.
You can't just ignore spacewalking suit; it partially defines the experience. So maybe the most difficult thing is becoming completely attuned to efficiently wearing a garment that is so inhibiting to motion, and making it look effortless, as if it's the most natural thing to be out there on a spacewalk.
The hardest thing, and the most difficult thing, is to do the most simple thing. Because that means that you've had to weed out every other option. I kind of feel like that about a good pop song, too. When it's right, it's perfect, you know?
As a filmmaker, the most dramatic and the most dread-inspiring thing is when the audience can see more than the characters themselves can see.
The MacGuffin is that thing which is most important to us - that most essential thing. The audience will supply it, each member for himself.
Happiness is the most natural thing in the world when you have it, and the slowest, strangest, most impossible thing when you don't.
In all nations truth is the most sublime, the most simple, the most difficult, and yet the most natural thing.
The most uninteresting thing for me is when somebody thinks too much about how they put themselves together.
Knowledge has two extremes. The first is the pure natural ignorance in which all men find themselves at birth. The other extreme is that reached by great minds, who, having run through all that men can know, find they know nothing, and come back again to that same natural ignorance from which they set out; this is a learned ignorance which is conscious of itself.
You find the most important thing that really grabs you, and put it right up top. Don't bury the lead. Put it at the top. Best thing to do. Never go wrong that way. It's an immutable law of journalism. It just always works.
I have this weird thing where all the artists that I find myself engaging with the most are the ones that I have a bone to pick with.
Mathematics consists in proving the most obvious thing in the least obvious way.
I love romantic comedies. They're for me the easiest thing to do and the most natural to do. There's nothing natural about holding an uzi hanging out of a moving van shooting at people. That's not second nature to me, thank God.
What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
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