A Quote by Steve Vai
Most people are fascinated to see someone play an instrument in an inspired way. We are moved by witnessing musical brilliance, and it was this notion that led me to purchase the GuitarTV domain 10 years ago.
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When I was 4, my parents took me to see a musical, and I was like, 'I want to do that!' I started doing all sorts of musical camps and a lot of professional theater. I took dance classes for 10 years, too - I was never the most amazing kid in the other classes, but tap stuck with me for some reason.
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
The reality is if you were going to die tomorrow, and someone offered you another 10 years, most people would take those 10 years.
Whether I'm shooting 10-under or 10-over I have to realize people have come a long way to see me play. I can't be back-handing putts.
I'd been in a vicious cycle and circle of people and couldn't see my way out. So I picked myself up one day about 15 years ago and moved where I didn't know anyone.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
My musical genius reached its apex thirty years ago when I played the triangle in Haydn's children's symphony, so I could not play unless you needed someone to make one sustained note!
...one of the most inventive forms of creative capitalism involves someone we all know very well. A few years ago, I was sitting in a bar here in Davos with Bono. Late at night, after a few drinks, he was on fire, talking about how we could get a percentage of each purchase from civic-minded companies to help change the world. He kept calling people, waking them up, and handing me the phone to show me the interest.
With music, you could stick someone with a musical instrument or even not a musical instrument, get them to showcase their talent, and within 30 seconds you could tell whether they were good or not, but with acting you have to give them the right part.
I like to play any character that allows me the freedom to explore it and teach the audience something they didn't know, and show them a journey they identify with... or be inspired, or moved. Anything that touches someone's heart is important for me.
I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
If someone said to me, 10 years ago, that I'd be spending effectively my retirement years in sci-fi and fantasy, I'd have said, 'Well, don't be ridiculous.'
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
People have said to me, You can't write songs. You can't play an instrument. But I've got 10 gold records.
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