A Quote by Steve Weinstein
My interest in philosophy began as early as eight years old - I started thinking about those kinds of heavy questions about life and humanity.
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From 18 to 29 I was a heavy smoker, heavy drinker, drug addict, terrible eater and philanderer. The past eight years, since I got sober, have honestly been about trying to peel back each of those habits, to get back to the 12-year-old kid inside who was tremendously excited about life.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
Quite early on, and certainly since I started writing, I found that philosophical questions occupied me more than any other kind. I hadn't really thought of them as being philosophical questions, but one rapidly comes to an understanding that philosophy's only really about two questions: 'What is true?' and 'What is good?'
Jane-Sweetie, we've talked about your weight-" my mother began. I'm only eight years old," I said. "How about I promise to be anorexic later?
I read about eastern philosophy and religion and existentialism. All that introspective thinking got me thinking about the great beyond. That turned my sights from inwards to outwards, and I started becoming interested in the makeup of the universe, and I started reading about astronomy, planets, and galaxies.
I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.
When I was in my early to mid-teens, that was a very heavy diet of science fiction and fantasy, so those were the kinds of books I tended to imagine writing someday, or even began to try to write.
When I was about 15 years old, I began to embark on an MC career but also to study philosophy with an emphasis on theology.
I got interested in Zen when I was a teenage beatnik on the streets of San Francisco. And it was my interest in Zen, in part, that got me into the Marine Corps, because that was a ticket to Asia. So I spent a couple of years on Okinawa and began reading and thinking about how I wanted to go about conducting my life.
I guess I showed certain signs of being a workaholic in early years; I had a magazine route very early on - I must have been about seven or eight years old or something like that - when I was carrying Liberty magazine, trying to win green and brown coupons; I eventually [won] a pony.
I started freestyling with friends about eight or nine years ago. I started writing also around the same time, but didn't meet blockhead until about '94. I started making beats not until about '96.
What kinds of problems, and what kinds of meanings, happen in the paint? Or as one historian puts it, 'What is thinking in painting, as opposed to thinking about painting?' These are important questions, and they are very hard to answer using the language of art history.
I started when I was eight years old, I was playing football at a club, before that it was a kick about with friends.
I married a man who was in fashion. I began to work when my daughter Nathalie was about eight or 10 years old. Then one day I began to make a sweater, and eventually the sweater was on the front page of Elle magazine. And the day after I was the queen of knit in America.
I wanted to answer big questions about humanity, about how it is that we understand about the world, how we can know as much as we do, why human nature is the way that it is. And it always seemed to me that you find answers to those questions by looking at children.
The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
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