A Quote by Steve Whitmire
Henson had never spoken to me about Kermit, but he had spoken to Frank Oz about the idea of me doing the character if he became too busy. I felt flattered.
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It was like the Wizard of Oz had spoken, and what he said was too ludicrous to take seriously.
The lumbermen...regarded forest devastation as normal and second growth as a delusion of fools....And as for sustained yield, no such idea had ever entered their heads. The few friends the forest had were spoken of, when they were spoken of at all, as impractical theorists, fanatics, or "denudatics," more or less touched in the head. What talk there was about forest protection was no more to the average American that the buzzing of a mosquito, and just about as irritating.
The thing that got me closest to doing Kermit was remembering what Jim did when he was doing Kermit. When he would do Kermit, there were certain faces that he made. There was a certain way he stood, a certain kind of body language that he had.
My parents are older, and they lead a somewhat sheltered life. It was difficult to talk with them about things that were embarrassing to me, and that I had never spoken to them about
My parents are older, and they lead a somewhat sheltered life. It was difficult to talk with them about things that were embarrassing to me, and that I had never spoken to them about.
If you would be well spoken of, learn to be well-spoken; and having learnt to be well- spoken, strive also to be well-doing; so shall you succeed in being well spoken of.
At one campus where I was lecturing, I asked a friend, "How many of my colleagues know I'm gay?" He answered, "All of them." I wasn't surprised. But, just the same, it was kind of spooky, because not one of them had ever given me the faintest sign that he or she knew. If I had spoken about it myself, most of them would have felt it was in bad taste.
I have always shouted from the rooftops about my businesses but I had never ever spoken about my personal life.
I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.
My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.
I've had innumerable affairs. I've never spoken about any of my women.
I have spoken to refs after games, just to ask about something that had occurred during a game. It's always been off the record and I've never had a ref not answer.
I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time… there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.
I felt that everyone had the same sentiments when it came to love that I did. I felt like if you really cared for somebody, then that was it. It never occurred to me that people could lie about the way they felt about you. I had to learn that the hard way.
Ever since I started acting, I've always spoken to our people about identity. I've spoken to kids, telling them: "Where do I get my strength to push through the barriers to get me where I'm at today? It's my culture and my traditions, you know?
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
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