A Quote by Steve Winwood
Obviously, the Sixties was a time when everyone wanted to experiment, and then everything became very formulated and corporate, so artists tended to get pushed into a kind of pattern. Now, I think that has continued with the emergence of televised talent shows like 'X Factor.'
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To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
The 'American Idol' and 'X Factor' shows, they're great shows. But I think I need to make a show like that, directed straight to the hood, to the artists that don't get the attention, that don't have the money to make themselves representable.
It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
I get really frustrated with people who turn their noses up at talent shows like 'The Voice' and 'X-Factor.'
Can't Hardly Wait was a movie everyone wanted. I wanted the lead girl sooo badly, I think it was Lauren Ambrose. I wanted it so badly, I kept auditioning. I didn't get it, but I think everyone that auditioned - because everyone went out for it - got some screen time in it, like me.
You know how it is when you go to be the subject of a psychology experiment and nobody else shows up and you think maybe that's part of the experiment? I'm like that all the time.
Because you know, we live in an era now where everything is pushed. We live in a push world where everything gets pushed to you. It's like, I don't have to wait for you to send it to me, I'll go get it off the Internet. So it was difficult to be back in that sort of situation. But it was cool.
My background is in painting but in school in the sixties, like many artists of that time, I believed that painting was dead. I began to work in collaboration with other artists in the creation of performances and installation works. Soon after, I started making video and photographic works and in the process became fascinated with the media itself. Before long I was setting things up just for the camera. In l970 I got a dog and he turned out to be very interested in video and photography as well.
I think everyone talks about talent. It's really one of the most overused terms. It comes down to, do you play, and do you win? Talent is one factor, but certainly not the only one.
I'm very good at noticing talent. I knew he was special then and obviously he is now.
The good thing is that I really think that American television is in kind of a second golden age. Even though there's a lot of reality and all those contest shows, which aren't my kind of shows, the scripted stuff that's going on is so good right now because of basic cable. Everyone has stepped it up and realised that people like quality.
I think the beard plays a slight factor to my presence on the mound. It's kind of part of the persona now. Everyone in Chicago embraced it, so I got to keep it. I can't ditch it now.
I think shows like 'Dancing on Ice,' 'X Factor' and 'Britain's Got Talent' make great telly, but I'd never want to be contestant. I'm far too insecure and competitive. Also, working in theatre, you're being judged all the time - and I'd rather not be told I'm awful in front of millions of people!
I've always found that there are loads of people out there with real talent will never get discovered. Shows like 'The X Factor' can help that and give people the confidence to do what they want.
I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.
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