A Quote by Steve Womack

Somebody's got to be last. Somebody's going to be first. — © Steve Womack
Somebody's got to be last. Somebody's going to be first.
Nobody can ever make enough money for as many poor relatives as I've got. Somebody's got a sick kid, or somebody needs an operation, somebody ain't got this, somebody ain't got that. Or to give the kids all a car when they graduate.
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
You look at somebody like Frankie Edgar and you think, 'oh, that little guy,' this and that. But these guys, they want it. And even if you're sitting there and you think you've figured something out, or got something you're going to surprise somebody with, the first thing you've got to do is have more heart than these guys.
If you were successful, somebody along the line gave you some help... Somebody helped to create this unbelievable American system that we have that allowed you to thrive. Somebody invested in roads and bridges. If you've got a business - you didn't build that. Somebody else made that happen.
If you were successful, somebody along the line gave you some help... Somebody helped to create this unbelievable American system that we have that allowed you to thrive. Somebody invested in roads and bridges. If you’ve got a business - you didn’t build that. Somebody else made that happen.
When somebody says, "The last thing I want to do is hurt you," it means they've got other things to do first.
No one understands that the First Amendment is only important if you are going to offend somebody. If you're not going to offend somebody, you don't need protection of the First Amendment.
They will find somebody younger, somebody funnier, somebody more engaged. As long as the court genre is viable, people are going to be looking for someone to knock me off of my perch.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
You got to get used to somebody, when you're acting or going through a scene, somebody yelling, "Do it a little louder!" OK, you do it a little louder.
When I was first starting to achieve success in the WWE, I got to be surrounded by the last class of true greats, and they all had little tips and secrets. You learn a lot from watching somebody work.
If somebody loses a gig because they publicly show up at [Donald] Trump's inauguration, I guarantee you somebody else is going to hire them and pay them more than they were making whenever they got fired.
You know, somebody mentioned that I was sort of a jazz-pop singer. And I'm thrilled that somebody would find that, at last, in my presentation, because it's such a part of where I live.
I'm just going to say that I met somebody last year, I fell in love, I had my first love, and it was something so incredible and indescribable.
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