A Quote by Steve Young

I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough. — © Steve Young
I did admire the comments and the music of Pete Seeger and Woody Guthrie. And that didn't fly too well in the Deep South. It was not quite redneck enough.
I absorbed the vinyl of Woody Guthrie, Pete Seeger, Jack Elliott, to Michael McClure and then into the Beat poets, Allen Ginsberg. At campus, we were absorbing that stuff. We looked to America.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
My musical heroes are people like Pete Seeger and Woody Guthrie who wrote and sang real songs for real people; for everyone, old, young, and in between.
We don't need another Woody. Even Bob Dylan knew he couldn't be Woody Guthrie... I like Woody Guthrie fine, but I don't need the 50th generation version of it.
A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.
I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
I was raised on Josh White, the Weavers and Pete Seeger. The music was everywhere. You'd go to a party at somebody's apartment and there would be fifty people there, singing well into the night.
Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.
We all know the types who listen to Pete Seeger songs; even Pete admits they aren't interesting.
I have two mini huskies called Woody Guthrie and Edison Guthrie.
I fell in love with folk music at Surprise Lake Camp. It was the songs of Woody Guthrie and the Weavers.
Look em in the eye. Make a gesture of inclusion, which he did all the time. And above all, have a chorus. So I learned from Pete Seeger to have something for them to sing.
Well, normally I’m against big things. I think the world is going to be saved by millions of small things. Too many things can go wrong when they get big.” — Pete Seeger (on how he felt about attending his big 90th birthday bash last year)
Where I grew up in Tulsa, Oklahoma, it wasn't the south-east and it wasn't the deep south and it wasn't quite the south-west either.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
I think we have responsibilities to be active in the things we believe in, regardless of what our job is. At least in my lifetime, there has been a tremendous combining of activism and music, that came up in the era of Pete Seeger and the Weavers and Joan Baez and Bob Dylan and Peter Paul & Mary.
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