A Quote by Steve Young

So the truth is, if there's a lesson to be learned from mobile quarterbacks, it is deliver the ball from the pocket, which demands mastery of the data that is involved working in the pocket, which is, 'I know everything about everything.'
You have to take certain truths. One truth is that to have championship success in the NFL you have to learn to deliver the ball from the pocket.
The truth is that in the NFL, the job is to deliver the ball from the pocket. That's the job.
I think the time is ripe for a return to the refinement of lifestyle that the pocket watch embodies. A personal pleasure that you know you have in your pocket, which requires an elegant gesture to use and show to others.
I've got to have two hands on the ball when I'm leaving the pocket, when I'm moving in the pocket.
In the secret pocket, she often kept a small pocket dictionary, which she would take out whenever she encountered a word she did not know.
I just think that's the key to all of the quarterbacks throughout the league. You want to have a consistent drop, a consistent balance in the pocket so that you can really get everything into the throw, so that you are throwing with good velocity.
Nothing shows both polish and utility like the nattily tucked pocket handkerchief or 'pocket square' in the breast pocket of a man's blazer, sport coat, or suit jacket.
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
I always felt like hanging around the pocket was trouble, but the truth is, the great players take the beatings in the pocket and expose themselves -- and that is the real risk.
Some quarterbacks, you worry about the passing, not really getting out of the pocket and scrambling.
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.
The pistol isn't going to go away, but the job in the long run is going to be to deliver the ball from the pocket.
The truth is not a crystal that can be slipped into one's pocket, but an endless current into which one falls headlong.
I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
Chemistry is really about two people who like to act together, I think. It's like tennis in the most cliched way. It's like if you hit the ball, they hit the ball back, and they don't hit it into the stands, and they don't put the ball in their pocket and walk off - and they don't argue with the umpire, you know?
I feel like as much as there's a little pocket of people who do know me, there's a whole bigger pocket that doesn't and I want them to know me and understand who I am for real before making pre-judgments.
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