A Quote by Steve Young
I think Tom Coughlin is an amazing motivator. When you look at his personality, you say, 'Oh, I don't know about that.' But there's some ability he has to laser-focus a football team when it's most important. He seems to be a real valuable asset, kind of Knute Rocke almost.
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The most valuable asset we have, actually, is our ability to understand, to do the right thing, to be kind, to be decent.
If you have the ability to convince somebody of something that you don't necessarily think is the case, it's a valuable asset. Not that I'm, like, a pathological liar, but we spend most of the day not fully being honest, you know?
Sourav's greatest asset is his ability to communicate. He is a naturally very confident person. He encourages his team, is a great motivator and a born captain. He is not the media's blue eyed boy because he is a very straightforward person, who never minces his words, instead he talks in a no nonsense manner to the press. He shares an extremely healthy rapport with his teammates. His leadership skills are also vouched for by the youngsters in the team. He has phenomenal brand value. He's the new-age Indian, an aggressive go-getter, full of self-belief, determination.
When you have a laser focus, and you get distracted by what other people say, you can lose that laser focus.
I try to just focus on what feels right to me when I am conceiving it, conceptualizing, designing, etc. and then talk it through with the team and listen to what they have to say. This kind of thing is a team effort, and working with a great team is the most important part of filmmaking for me.
My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.
I think Donald Trump is very uninterested in his business. In the past he would be talking up his business, but since the election, I've seen almost a laser-like focus on his job as president. What gets him lit up the most in any conversation is bringing jobs into these midwestern states that have suffered because of technology and trade policies.
A leader's most valuable asset is not their time but their energy and ability to energize others.
We can find athletes. The biggest challenge is personality. It's finding charisma. In most sports, they tell you to turn down the personality. Look like everyone else on the team. It's the team; it's not you. In this, it's the opposite. It's you, not the team. We want you to become the big star.
Most students of Kissinger find it hard to say anything about Kissinger that isn't about the man himself. He is such an outsize figure that he eclipses his own context, leading his many biographers, critics, and admirers to focus nearly exclusively on the quirks of his personality or his moral failings.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
I would say the only one person I know of who kind of combines the elements that my father brought to the table in terms of affecting the public discourse would be Oliver Stone. His combination of academic brilliance and real life experience and just understanding people I think is what makes him such a great storyteller, but also he cares. He is interested. He meets somebody and he listens to them. He has some questions. He wants to know what they're about. And as a result I think his worldview is much more complex and whole and most of the other.
I know a lot of actors talk about the importance of wardrobe, and it always seems like it's kind of a cop-out, maybe, because it seems like a minor detail to some people. But I think it's hugely important.
So many dancers feel that what they look like is more important than who they are. This is a real danger for dancers who focus for years on appearances and think of themselves as merely a body. The choreographer can't work with them in the realm of ideas. It's a huge problem if they haven't been connecting internally. If they've decided that what's inside is of little value, they can only try to approximate some kind of look.
I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.
Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.
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