A Quote by Steve Young

Something like speed of play can be a big deal. — © Steve Young
Something like speed of play can be a big deal.
It's a big deal when you play in a rock band and you conquer Japan. You know, it's a big deal.
I believe that Brexit, whether it's a bad deal or no deal, is a big deal - too big for anyone to ignore - but it's not a done deal.
Winning two in a row doesn't seem like a big deal, but when you haven't done it in three months, it's a big deal.
The New Deal exists principally on an emotional plane for Obama. To him, the New Deal is something you play like a song, to make you or your constituents feel better.
I used to take myself very seriously, now it's all just funny. You gotta laugh at yourself. You know, most of the time when something's a big deal for us, it's only become a big deal in the space between our ears.
If you come in like a typical modern drummer who is used to playing only with tricks and double kick and, like, big, big, big, fast rolls, but you can't play a swinging shuffle, then you can't play in Ghost whatsoever.
Frank's bands could play the hardest stuff and make it seem like no big deal.
A baby's existence for the first three months is a one-way street. One person is doing all the work and the other is crying, sleeping and pooping. So the first moment when you're actually able to do something and they acknowledge your presence, that's a big deal. A very big deal.
If you want to be a big player and play for a big club, you have to deal with the pressure.
I'm fully aware, I've gotten terrible reviews my entire career. It's not a really big deal; it's something I can deal with.
You gotta be the right size, height, speed - all those are a big factor in what position you play.
The biggest leap between the NFL and college football is the speed. That's something you hear often. But I think there's more to it than just the speed of the players - there's also the speed with which you have to process information around you.
The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.
As an athlete, I used my speed, agility and quickness to go out and play against the big guys.
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
Silverstone is normally quite a tricky place for the set-up and for finding a good balance, because you have a big difference between the low-speed and high speed corners, and there are not really any medium-speed corners in between.
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