A Quote by Steve Zahn

What's hard in movies is to have a consistent tone throughout a movie. Whatever that is. — © Steve Zahn
What's hard in movies is to have a consistent tone throughout a movie. Whatever that is.
Yeah, I mean, I think I'm obsessed with tone in the movies. Tone has always been the main thing that I go after with a movie.
For whatever reason, I think we have one type of animated movie and it's so wrong. I want to do a drama, I want to do an action, a comedy. In live-action, there are all sorts of movies. There's independent movies, big movies, action movies, funny movies, and for us we have one movie.
There are movie sites that love movies and there are movie sites that are just bitter people that just hate movies. I find Movieline to be in the latter. The tone is bizarrely hateful.
Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.
I would define myself as being naive and perverse at the same time. And I think that if that is consistent it will make the tone consistent.
It feels to me like 'Shazam' will have a tone unto itself. It's a DC comic, but it's not a Justice League character, and it's not a Marvel comic. The tone and the feeling of the movie will be different from the other range of comic book movies.
Certainly, 3rd acts of any movie are hard. It's always hard to have something that will give you the promises from the beginning of the movie. That's true for all movies.
I think crafting a new, effective horror movie is not just about when night falls and things get scary. It's about setting a tone and mood that permeates throughout the entire movie. So even during the daytime, things are never quite safe-feeling.
A lot of times the character's experience is not in accordance with the tone of the movie and it's not really my job to account for the tone of the movie. That's the director's job.
Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.
My mother loved movies, and I loved movies like she loved movies. So I wanted to do that. I'd send away for movie magazines - the old thing of everybody wanting to be a star or whatever.
We all have our ups and our downs, and it's consistent throughout all of our lives. It's not a movie: you don't get to a point where, suddenly, you're free forever - it's life.
I just think that's the key to all of the quarterbacks throughout the league. You want to have a consistent drop, a consistent balance in the pocket so that you can really get everything into the throw, so that you are throwing with good velocity.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I just tried to make as many plays as possible to try and show them how hard I work and how hard I prepare and that I am willing to do whatever it takes to win football games and to accept whatever role they want me to be in. I think that has helped me throughout my career.
If I was one of the leaders...if I was just a leader of one of these studios what I would do is I would go to all my cohorts who run other studios and say let's make a deal. Let's each of us make three 3D movies a year or whatever the number is. Let's not take every movie and make it a 3D movie. Let's take our three tentpoles or whatever movie it is so you have a specialness to it.
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