A Quote by Steve Zahn

I think, a lot of times in a big city, you're working even when you're not. — © Steve Zahn
I think, a lot of times in a big city, you're working even when you're not.
Living and working in the centre of a city, one cannot but be affected by the sight of the homeless on the streets. They are almost an expected feature of life in a big city, and it is tempting to think there is little or nothing that can, or even should, be done about it. This is not so.
When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.
I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
I think L.A.'s terrific. You fly an hour and a half and you're in the mountains in three feet of powder. I also think it's a much better city if you're working as an actor. If you're not working and you don't see your dreams coming true, there can be a lot of heartache.
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
I had a rough year, my first year at Man City, a big club for a big transfer fee. There was a lot of talk, a lot of pressure, and I didn't think I was being spoken about in a fair manner.
A lot of times if you go to counseling you find out the thing we think are big issues to our partner is not near as big as we think it is.
A lot of the city boys in London, a lot of the hedge-fund, young city workers at the height of the financial boom were a lot of working-class, brilliantly minded young fellows and women.
L.A. is a big city that has a lot of music in it but is not necessarily known for it. A lot of musicians got lost in that. You can make a living; you can gig a lot within the city and never get out of it. That was something that me and my friends, our generation, were afraid of happening to us.
There is always a lot of competition at a big club like Manchester City, so I need to keep working hard, having patience and hoping for the best.
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
I do think that people who are now in their sixties and their seventies are living a different kind of life than their grandparents led, even in these tough times. A lot of them are more active, a lot of them are still working, which was not the case when our grandparents were in their sixties.
Every city is either vibrant these days or is working on a plan to attain vibrancy soon. The reason is simple: a city isn't successful - isn't even a city, really - unless it can lay claim to being 'vibrant.'
Throughout my 20s it was all about achieving and working as hard as possible. To the point that you don't think twice about working in a music studio with no windows from 11 to 11. And you don't bat an eyelid if you fly four times a week and do promo in a different city each time.
I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
A lot of times when people are released or, unfortunately, get fired, they almost scramble for what it is they are going to do next. I think when you are no longer working under a big, corporate umbrella, you have to be your own brand, your own enterprise. That was my thought process before I left.
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