A Quote by Steve Zahn

I always gravitate toward the humor in something. — © Steve Zahn
I always gravitate toward the humor in something.
I don't know if women gravitate toward me, or I gravitate toward them.
I think when you're a bigger star you get many good scripts sent to you, and you have to choose which one you're going to gravitate toward, but I just try to gravitate toward the best-written one that's been thrown my way after a lot of girls have passed on it.
I don't think an artist should always know why they gravitate toward something or someone. You are just drawn to things, and that's OK.
I've always found myself watching the NBA game more, even when I was coaching college. So I'll probably gravitate toward doing something in the NBA.
It's easy to gravitate toward something negative as opposed to something positive, especially if you're an outsider.
Power draws you in; it's something we can gravitate toward.
For me, I've always wanted to do theater, so I gravitate toward it.
Every kid has something they're good at, that you hope they find and gravitate toward.
The lifestyle that comes with being an actor in a successful TV show isn't something I gravitate toward.
I have always been very family-oriented. I came from a dysfunctional, broken family growing up, and it's probably instilled in me the need and the want to have a strong family and a great foundation. So I think that is something that I naturally gravitate toward.
People do not drift toward Holiness. Apart from grace-driven effort, people do not gravitate toward godliness, prayer, obedience to Scripture, faith, and delight in the Lord. We drift toward compromise and call it tolerance; we drift toward disobedience and call it freedom; we drift toward superstition and call it faith. We cherish the indiscipline of lost self-control and call it relaxation; we slouch toward prayerlessness and delude ourselves into thinking we have escaped legalism; we slide toward godlessness and convince ourselves we have been liberated.
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
When you tour as much as I do, you're always on the road, and you tend to gravitate toward cities where you're like, 'Every time I'm in that city, the shows are fun.'
I just always gravitate toward the kind of characters or people that maybe you don't want to talk to for a long time at a party, but you do like to watch what they're doing.
I was inspired to play electric guitar from listening to a lot of Carlos Santana, Stevie Ray Vaughan, and B.B. King, and that's always been the kind of music that I gravitate toward.
I always tend to gravitate toward the idea of things being human: that this isolation I feel as an Asian American, even though it's real, other people have it too in their own way.
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