A Quote by Steve Zissis
Everyone's encouraged to put things in their own words, to discover new things. So there's definitely an element of dynamic improvisation, for sure, which I think gives those scenes some of their energy, some of their electricity.
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Some things need to be a song. Some things need to be a play. Some things need to be a painting. Some things need to be-though I'd never be a choreographer-some things might ought to be a dance [laughs]. I've found that exploring an idea in different ways, it gives you different opportunities.
Do you not think that there are things which you cannot understand, and yet which are; that some people see things that others cannot? But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.
Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.
In some circles where very heavy people think they have very heavy brains, words like "charming" and "clever" and "pretty" are all put-downs; all the lighter things in life, which are the most important things, are put down.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
I never really put pressure on myself to make things seem new and spontaneous, mostly because I think everything is kind of derivative at this point. I enjoy the old-fashioned idea of like, His Girl Friday and Bringing Up Baby, those old movies. Those relationships are kind of where I've gotten inspiration for this character and this relationship. But I think what makes it new is just the words coming out of my mouth personally, and my take on it based on my own personal life experience is hopefully going to add something a little different, and add some flavor to it.
So I think it was to Bryan's credit that he was able to let go of some of those things because you create these scenes and you think you become creative, even I, acting things, you become very creatively taken by it.
I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I've always loved science fiction, fantasy, manga, comic books; so I guess, to some degree, those things influence my personal idea of what looks nice, which definitely isn't everyone else's.
When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.
One of the things I think we have to do is make sure that college is affordable for every young person in America. And I also think that we're going to have to rebuild our infrastructure, which is falling behind, our roads, our bridges, but also broadband lines that reach into rural communities. So there are some things that we've got to do structurally to make sure that we can compete in this global economy. We can't shortchange those things. We've got to eliminate programs that don't work, and we've got to make sure that the programs that we do have are more efficient and cost less.
There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
We actually do generate some new cells, some new neurons. So in the case of trauma there is the potential for there to be some new neural development which gives the person the chance to create new circuitry.
I think what Mr. Trump has is this - he has experiences. He has put more things together in businesses around the United States, around the world. And he's had some things that didn't go exactly right. He's been able to find a way to resurrect those things. He's been able to make some changes.
As an actor you bring some of your own experiences which can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you're definitely drawing obviously upon things that you can connect to, and then you kind of mold the change that you're making into something that's right for the character.
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