A Quote by Steven Adler

I'm very influenced by jazz drummers. I always liked drummers like Roger Taylor, Keith Moon, Ian Paice, John Densmore. I just learned from playing to those drummers.
You'd be surprised. Drummers ape each other. The way every rock n' roll record sounds like something else but not all together. Everything other drummers play, if you're playing drums, they all hear.
Drummers shouldn't just think of themselves as drummers. If you're going to be a musician, you should expand your horizons, compose things, and work with other instruments.
Ringo is incredible. He's the greatest. Simon Kirke is great as well, so is Ian Paice. All of these British drummers from the '60s are great. They were big influences on me.
I really like working with drummers, I like being able to bounce ideas off drummers.
To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.
In respect for drummers, see, I love drummers.
I've talked to some drummers who seem to have a very hard time staying in shape on the road, including some drummers touring with high-profile acts that don't have to live on fast food every night.
As far as drummers are concerned, when I was a child growing up I was really attracted to artists like Gene Kupra and Louis Bellson and Buddy Rich; a lot of the drummers that played in the popular big bands of the '40s. I would listen to their records.
To have everything written for you... It's not really creating. That's why I think symphony drummers are so limited. They 're limited to exactly what was played a hundred years before them by a thousand other drummers.
To have everything written for you It's not really creating. That's why I think symphony drummers are so limited. They 're limited to exactly what was played a hundred years before them by a thousand other drummers.
Almost the moment he died, they put him in Playboy as one of the greatest drummers, which he was - there's no doubt about it. There's never been anybody since. He's one of the greatest drummers that ever lived.
Jazz drummers traditionally are not always prepared to just hold down the beat; it's like they're soloing the whole time.
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
I think that drummers have come a long way, but they haven't forgotten players like Gene Krupa, or the other jazz players.
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