A Quote by Steven Adler

It's hard to find five musicians who know what the other is going to do before they do it. And that's what we had in GN'R. — © Steven Adler
It's hard to find five musicians who know what the other is going to do before they do it. And that's what we had in GN'R.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
I was being ridiculed for going to school... But, you see, I had looked hard at the other musicians and the whole show-business scene... They were doing with jazz musicians what they usually reserved for rock n' roll cats: making them overnight successes, then overnight antiques.
I find it hard to work with other musicians because I know from experience that when they play, they play with their feeling, and that restricts me because I know I want to play in my own particular way.
I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
It's hard to find other musicians that push you to go somewhere new all the time.
I just haven't really had a chance to allow to sink in. I'm sure there is going to come a time when reality is going to hit me and I'm going to know that it's going to be a while before I help my teammates, and that's going to be hard for me.
I became successful and within five years conquered the world and had the most amazing run. I had so much momentum and adrenaline going, but then it ends and you have to find what level you're going to be on, how enthusiastic you're going to be.
Man, you'd be surprised how much I'm learning - not only about myself, but about the musicians who came before me. You don't realize at first when you listen to Armstrong's records how great this man was and how hard that Hot Five music was to play. After the experience of reading and playing those parts, I have an even greater respect for Louis Armstrong than before
I had about five years as a gay guy in New York after college before the whole Grindr explosion happened, where people were still going out to meet each other.
The terrible thing in England is if you interview a thousand people, five hundred of them will talk like they're going into a Guy Ritchie movie and the other five hundred will be Mr. Darcy. So we had to find cool, working class kids with no profile who could be John Travolta and James Dean and people like that.
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.
In other words, musicians know that going back to the Spoonful, what we were doing was not copying.
I had been acting since I was a kid. I had done 35 plays in New York before 'Serious Man,' but you never know what putting one foot in front of the other is going to do.
I don't want 100 different cures of cancer. I want, you know, give me five. So if you had, you know, five medicines, you could do away with 90 percent of cancer. That's sort of my objective. I think we're going to do it.
It's hard to view myself sometimes as even in the same league as other musicians, mainly because there's so much music before me. I feel overinformed by different styles and different possibilities.
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