A Quote by Steven Amsterdam
I'm never going to write a whole paragraph describing what a living room looks like.
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Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that.
You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix em up and reconnect them. You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.
Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.
There is an aesthetic crisis in writing, which is this: how do we write emotionally of scenes involving computers? How do we make concrete, or at least reconstructable in the minds of our readers, the terrible, true passions that cross telephony lines? Right now my field must tackle describing a world where falling in love, going to war and filling out tax forms looks the same; it looks like typing.
Having imagination, it takes you an hour to write a paragraph that, if you were unimaginative, would take you only a minute. Or you might not write the paragraph at all.
I grew up on the side of the stage. I never had a fear of an audience. I never felt like they were separated from us. We were all in the living room, and it happens to be a big living room. I continue to operate on that assumption.
I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin.
I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin
When you're running for president, you're a guest in the living room for four years. And if people don't think you're going to be around the living room as a pleasant experience, they're not going to vote for you even if they agree with you.
The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
I like living in one room and have never known what people do with the room they are not in.
I am terribly interested in the paragraph: the paragraph as an object, the construction, and the possibilities of what a paragraph can do.
I had a parakeet that used to fly around the house and crash into these huge mirrors my mother put in. Ever heard of this interior design principle, that a mirror makes it seem like you have an entire other room? What kind of jerk walks up to a mirror and goes, Hey look, there's a whole other room in there. There's a guy that looks just like me in there.
When I write for 'n+1,' I begin by doing a lot of reading, to try to convince myself I'm not stupid. Then I scribble down a paragraph here, a paragraph there, when a notion strikes. Then I see if I can arrange those notions in a way that yields an argument.
I wanted to write and then I saw Pierrot and I understand that I could express myself in a more... Also probably, I had an intuition that if I was going to only write, I will stay in one room all the time and never go out. I felt that if I was going to make movies, I would have to communicate with people and it would be good for me.
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