A Quote by Steven Berkoff
The great actors we had came from the actor-manager theaters. Not only did they create a team, they were the generals working with the soldiers.
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I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
Though triumphs were to generals only due, crowns were reserved to grace the soldiers too.
I had to create a team of people who had worked in this industry for other banks. What I brought to that team was ICICI's strategic thinking, but when it came to domain knowledge or product nuances, I had to learn from the team.
I started working in New York City as an actor and did many plays. I did regional theater, smaller theaters, children's theater.
We had generals who were admirals and admirals who wanted to be generals. Generals acting as admirals are bad enough, but it was the admirals who wanted to be generals who imperiled victory among the coral islands.
You can't make theater happen without actors. The actor is the central ingredient in making theater happen. Audiences may come to theaters to see the work of stage managers, directors and producers, but the only people who can communicate theater magic to audiences, through ideas and emotions, are the actors. They are the only ones who can communicate this by themselves, and if necessary, they can get along without you. But you can't make theater without the actor.
Being an actor only came about because Arnaud Desplechin, the guy who did 'Kings and Queen', had this curious idea to think that I could be an actor, but I had never acted before, and I was supposed to direct my own film!
Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.
My experience is at The Groundlings Theater, where we created different characters and did sketch comedy. And sometimes the characters were outrageous, but they always came from a real place. So even working there, we had to create characters from the people that we knew.
I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.
I did not think I had what it took to be an actor, because most of the actors that I encountered were people who were very narcissistic and I thought since I lacked narcissism to become an actor because that's what it took. It was more of a social experiment for me to walk in the shoes of other people that I found interesting.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
I'm running out of time, and a Western is America's answer to a Greek tragedy, so that's what we did. [Kiefer] hired Brad [Mirman] to write the script and he had the ideas, and then he and I did stuff on the script to make it a little cleaner to ourselves. And then, we played it. We were just actors working together, and our DNA must have informed it somehow. Certainly, we came out of it purified a little bit.
I'd like to be a working actor. It sounds really trite, but there really are no small parts, only small actors. And so as long as I'm a working actor, I can improve.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
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