A Quote by Steven Berkoff
We often find far more power in a symbol than in something that is an an actuality.
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As far as I've been alive, women have always been more or less the symbol of sexuality rather than the male. We don't see the naked male body, as the symbol of sex.
This has been far more than three men on a mission to the Moon; more still than the efforts of a government and industry team; more, even, than the efforts of one nation. We feel this stands as a symbol of the insatiable curiosity of all mankind to explore the unknown.
The Cinquecento was an engine of motivation at Fiat. It refurbished the image of the entire company. It's a symbol for the company, but it's more than that. It's a global Italian symbol, as Mini is a global British symbol and the Beetle is a global German symbol.
Fire is a symbol for so much. It's a symbol for change. It's a symbol for destruction. Out of the ashes of that comes an opportunity to start over. It's one of the greatest metaphors in nature that you can possibly lean on, especially as a songwriter. You're trying to describe either something coming to a complete and utter end or something that is in flux, or something that's on the verge of becoming something else.
But honestly, if you do a rigorous survey of my work, I'll bet you'll find that biology is a theme far more often than physical science.
Far better to think historically, to remember the lessons of the past. Thus, far better to conceive of power as consisting in part of the knowledge of when not to use all the power you have. Far better to be one who knows that if you reserve the power not to use all your power, you will lead others far more successfully and well.
A sign is always less than the thing it points to, and a symbol is always more than we can understand at first sight. Therefore we stop at the sign but go on to the goal it indicates; but we remain with the symbol because it promises more than it reveals.
The world is not going into concentric blocs of power. It is actually going into a diffusion of power with more centres of decision-making than ever in human civilisation. That requires you to place yourself in far more hubs of power than ever before.
To me there is nothing more sacred than love and laughter, and there is nothing more prayerful than playfulness. When you are in love, all fears disappear, and when you become love yourself, even death becomes irrelevant. Jesus is not very far away from the truth when he says, "God is love." Certainly God is power, the greatest power. I want to improve upon Jesus: I don't say God is love, I say love is God. To me God is only a symbol and love is a reality. God is only a myth - love is the experience of millions of people. God is only a word, but love can become a dance in your heart.
I've often said that we are doing something far more important than just selling cosmetics; we are changing lives.
If one feels the need of something grand, something infinite, something that makes one feel aware of God, one need not go far to find it. I think that I see something deeper, more infinite, more eternal than the ocean in the expression of the eyes of a little baby when it wakes in the morning and coos or laughs because it sees the sun shining on its cradle.
If you've seen me on 'The Celebrity Apprentice' or 'The Real Housewives of New Jersey,' you know that I find myself in hot situations far more often than I'd like.
It seems to me the Washington Monument is a symbol of America's power. It has been the symbol of our great nation. We look at the symbol and we say 'this is one nation under God.'
When something is bothering me, I seek refuge. No need to travel far; a trip to the realm of literary memory will suffice. For where can one find more noble distraction, more entertaining company, more delightful enchantment than in literature?
There is no greater symbol of the artistic spirit of Scotland than the Mackintosh building. But more than that it is a symbol of where art belongs, rising as it does out of the heart of a great city. A mighty castle on a hill, it is a part of me, and of all Glaswegians.
Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.
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