A Quote by Steven Bochco
Hill Street Blues gave me an opportunity to work with an ensemble cast of people whose work I admired.
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I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'
We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
'Quantum Leap' gave me a huge opportunity as an actor. The nature of the role and it's demands allowed people to perceive me as a versatile actor, and the wide success of the show around the planet gave me a certain notoriety that helped me get other work.
I cross-dressed as the judge in 'Hill Street Blues,' you know.
All the great shows owe a lot to 'Hill Street Blues.'
I'd love the opportunity to continue to work in the U.S. with people I have always admired and I also want keep telling stories from where I'm from.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
I never rehearse scenes with the whole ensemble, because I need to preserve some surprise. Instead, I work with the cast individually on their characters.
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
I think my biggest problem as a creative person trying to work within a business for profit was that it was very important to me that people liked me. Over the years, observing other showrunners who made work that I so admired, I realized that that had to go. This couldn't be my first priority. My first priority had to be the work.
When I Asked God for Strength He Gave Me Difficult Situations to Face When I Asked God for Brain & Brawn He Gave Me Puzzles in Life to Solve When I Asked God for Happiness He Showed Me Some Unhappy People When I Asked God for Wealth He Showed Me How to Work Hard When I Asked God for Favors He Showed Me Opportunities to Work Hard When I Asked God for Peace He Showed Me How to Help Others God Gave Me Nothing I Wanted He Gave Me Everything I Needed.
'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
I had a problem with cops pulling me over all the time for speeding. When I was doing Hill Street Blues, the cops said how much they loved the show as they were writing me up; meanwhile my insurance went through the roof.
I asked for strength,
and God gave me difficulties to make me strong.
I asked for wisdom,
and God gave me problems to learn to solve.
I asked for prosperity,
and God gave me a brain and brawn to work.
I asked for courage,
and God gave me dangers to overcome.
I asked for love,
and God gave me people to help.
I asked for favors,
and God gave me opportunities.
I received nothing I wanted.
I received everything I needed.
Anybody that got in your way or stopped you or barred your success, you either push through them or work around them. I don't have enough time for excuses or crying about people saying how someone wasn't given a proper opportunity. Nobody gave me an opportunity.
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