A Quote by Steven Bochco

'Hill Street,' because of the wacky nature of many of our characters, really allowed us to indulge a kind of cheek-to-jowl juxtaposition of high drama with very low humor. — © Steven Bochco
'Hill Street,' because of the wacky nature of many of our characters, really allowed us to indulge a kind of cheek-to-jowl juxtaposition of high drama with very low humor.
I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
I'm really into a blush on the eyelid and on the high of the cheek. The singer of 'Cocteau Twins' used to do that - really pink eyelids. It added a little romance to the hard kind of street-edge clothes.
It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
Avatar is the most high tech film in terms of its execution, dealing with essentially a very low tech subject; which is our relationship with nature...and in fact the irony is that the film is about our relationship with nature and how our technological civilization has taken us several removes away from a truly natural existence and the consequences of that to us.
In the B-52s, each of us has our own wacky sensibility, which, when we come together, it's like the four-headed monster. And it's great because we have the same sense of humor.
I can only think of one wacky best friend who I thought was awesome: Rhys Ifans in 'Notting Hill.' He really nailed the wacky best friend.
My siblings and I, we were raised on TV and films. Not a day went by that we weren't watching one of three movies - 'Caddyshack,' 'Animal House,' 'Beverly Hills Cop' - on rotation. Our comedy, our personalities were set watching 'Sesame Street': these really sort of wacky, Jim Henson-y characters.
I could tell you what my good qualities are. There's my honesty; I have a very wacky, kind of dry humor that a lot of people don't get to see.
When people meet me, many times they're very surprised because they expect someone who is kind of wacky with seven piercings and very hip and cool and New York City, and I'm not.
The whole idea is preserving the music and the art and not having us and our faces and our individual characters distract from that. That was the original idea, and now it's really become part of what Tool is. It has allowed us to really concentrate on our music and our show.
I've always had this juxtaposition of characters, because I'm an artist. I'm a very quiet person at home and introspective and the whole deal, and then I can be really big later. I had no problem.
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
The revelation of His glory includes seeing One so high (transcendence) who went so low (condescension) to bring us so near (redemption) because we are so dear (Bride). The Most High God went so low because of such great desire to partner with us... We are awestruck by His power, overwhelmed by His humility, and made confident by His love.
If we cannot find our way to a time when most of us are willing to admit that, at the very least, we are not sure whether or not God wrote some of our books, then we need only count the days to Armageddon-because God has given us far many more reasons to kill one another than to turn the other cheek.
I'm not really sure what the psychology is, but for me, I'm interested in it because it's such a juxtaposition to what is going on in my life with a newborn, as you can see. So because of that juxtaposition I'm really fascinated by it, but I'm equally terrified by it, and I think that diving in it makes me feel safer as a woman and a mother for some reason.
Some of the most vulnerable people to getting the SARS virus are health care providers. The general public, walking in the street, there is really not that much risk at all. It's a very, very low risk - a very, very low risk.
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