A Quote by Steven Bochco
Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.
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I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
My favorite television show of all time is 'Hill Street Blues.' I think it's the show that is to television what Pele was to football or Muhammad Ali was to boxing.
I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.
When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"
Unless you're a directing producer of a television show, for the most part, the director comes in one week to direct and episode, and then leaves. I'd much rather produce television and occasionally direct an episode of a show I'm producing, then just come in as an outside director.
I could fall asleep at 10:30 watching 'Hill Street Blues.' I might wake up at 1 A.M. and have a riff in my head.
My grandfather used to say 'Eat the biggest crabs first, that way you're always eating the biggest crabs.' In making a TV show, that means if you have a big funny or smart idea for an episode or a scene or a joke, go for it. Don't save it for another season or another episode, because you may not have the right time again. It's good advice for television, but truly stellar advice for eating crabs.
Television used to be made much more in a vacuum; the only feedback the audience had for a long time was in a Nielsen number that would arrive sometime after the show had been broadcast. And now, people are just completely engaged on so many levels, and I think that you have to find a way as a show creator to follow your own compass.
I had a problem with cops pulling me over all the time for speeding. When I was doing Hill Street Blues, the cops said how much they loved the show as they were writing me up; meanwhile my insurance went through the roof.
First Lady Michelle Obama appears on 'Sesame Street' to celebrate the show's 40th anniversary. It's going to be a big episode. Yes, sources say the episode gets a little tense when Ernie and Bert ask the first lady why her husband's dragging his feet on gay marriage.
I think education was the key for me, and that's what I tell kids. That base in the classics gave me something to springboard from, which I wouldn't have had if I'd come out to Los Angeles early and been guest punk of the week on 'Hill Street Blues.'
One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode.
When you do a TV show, the cumulative intimacy you develop with the audience through your characters is pretty profound. It may be the most profound storytelling there is, because the character gets to live and roll around in the audience's mind week after week.
The Army might screw you and your girlfriend might dump you and the enemy might kill you, but the shared commitment to safeguard one another’s lives is unnegotiable and only deepens with time. The willingness to die for another person is a form of love that even religions fail to inspire, and the experience of it changes a person profoundly.
'One Tree Hill' will always be very, very special to me. It was my first television show. And my first gig in the business. It was surreal. I booked the role when I was 13. I had just started high school, and literally, I think, a week into high school, I found out I got the role. It was unimaginable! I learned so much from that show.
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