A Quote by Steven Bochco

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience. — © Steven Bochco
You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.
I will say that is a quality I love about great directors, which is the ability to give you one word that can inspire you. I appreciate a director with a very good vocabulary. There are so many directors that I have worked with that can give you one word.
I've been lucky to learn by playing all kinds of roles and watching all kinds of really good cinematographers, actors, and directors for many years before people were even aware of me in terms of audience.
I'm grateful to have been acting for as long as I have because I have so many experiences and memories, and I've gotten to learn from some of the greatest actors, directors, writers and cinematographers. I feel like my career has been a privilege. I can't imagine my life without it.
It's turned into a world of amateurs. There are amateur actors making millions of dollars, amateur cinematographers, amateur directors... Jesus, these amateur directors can get deals for anything. Another comic book? Oh, very good.
After 50 years in the motion picture business, I'm still learning my trade. This recent shoot of 'Mandie and the Secret Tunnel' was a revelation. The two young directors, Joy Chapman and Owen Smith, represent a group of actors, directors, and cinematographers all over the country that never show up in New York or Hollywood.
The concept and vision of 'Electronic Nature' is to give my fans a fully immersive sensory experience of music, visuals and more.
We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
Sexism is real and it persists in film and television. I've seen female directors openly undermined by male cinematographers in front of the entire crew
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
Some directors I worked with didn't even know how to read a blueprint, understand a plan.
Our memories are convenient lies we create, cribbing images from others' experiences. We discard the personal specifics which don't conform to the ideal conventional beauty created by art directors and cinematographers.
I was very fortunate in the '70s to work with the best actors, the best directors, the best cinematographers.
There are two types of directors: the directors who take and directors who give.
That excites me, working with really excellent people, be it wonderful directors or actors or cinematographers and especially writers. My work life is going to a set and having these great experiences and coming home shifted by them.
The more tools we have directors and cinematographers will be able to express more and create different worlds and feelings. It's like having more instruments in an orchestra.
A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
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