A Quote by Steven Bochco

I tend not to spend a lot of time looking in the rearview mirror. If you say, 'Oh, I did 'Hill Street Blues' or 'L.A. Law' and everything I do has to measure up to some preconceived notion of that,' it would paralyze you.
I love driving, but sometimes, I'm not too good at it because I spend too much time looking in the rearview mirror if I know I'm being followed. You don't respond like, 'Oh, there's paparazzi.' It's more like, 'There's a man, and he's going to attack me.' That's how your body responds.
I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
The longer we keep looking back in the rearview mirror, it takes away from everything that's moving forward.
If we're a natural man, we're attracted to a woman. You are our natural partner in the act of procreation. Now there's a time and a place for everything, but when a fine-looking woman, with a fine-looking form walks down the street, a man could be working with a jackhammer, and when he spies that woman, he'll watch her as she walks. What kind of thought comes up in your mind? You don't say, "Oh, what a great creature." Like a dog you may say, "Man, I'd sure like to have some of that!" That's not what you want.
All the great shows owe a lot to 'Hill Street Blues.'
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
I looked at my reflection in the rearview mirror. Some lipstick would go with this truck, I thought.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
We go forward looking in the rearview mirror.
The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinner for one.' That's cleaned up now, you see? But country and blues tells it like it is.
I could fall asleep at 10:30 watching 'Hill Street Blues.' I might wake up at 1 A.M. and have a riff in my head.
I've never been a rearview mirror guy. I'm always looking forward, always looking downfield.
I worked mostly in television drama for my first few years. I just kept guesting on NYPD Blues and CSI-like stuff, so when I started getting work in comedy, a lot of people in the business would say, 'Oh - I didn't know you did comedy.'
Man, 'Hill Street Blues' was on when I was 12, and I remember feeling I'd never seen anything like it. It was that far ahead of its time, with dark characters you loved.
See, when you drive home today, you've got a big windshield on the front of your car. And you've got a little bitty rearview mirror. And the reason the windshield is so large and the rearview mirror is so small is because what's happened in your past is not near as important as what's in your future.
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