A Quote by Steven Conrad
I think that movies are really fake; they should be fake. I don't think my way is any better than anybody else's way, but I know they're not real. I like to lean into the make-believe aspect of movies. That's why they're better than real life.
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Even if you're unhappy, just pretend that you're happy. Eventually, your smile will be contagious to yourself. I had to learn that. I used to think, 'I'm being fake,' but you know what? Better to be fake and happy than real and miserable.
Even if you're unhappy, just pretend that you're happy. Eventually, your smile will be contagious to yourself. I had to learn that, I used to think, 'I'm being fake,' but you know what? Better to be fake and happy than real and miserable.
I don't think fake people living in a fake house in a fake suburb are any less dismissible or believable than a fake psychic attending a fake school in a fake town. Nothing's inherently believable about any kind of fiction, because all of it's untrue.
I just think that movies are really fake; they should be fake.
I'm not any different than anybody else. But I do see a world, for me, that's getting better and better, not worse and worse. And I believe that world peace is coming quicker than we think. And I believe that people are not only yearning for it but will see a way to get it and help that way to come sooner. And it's going to be beautiful.
Fake it, fake your confidence until it's real. I think it's a good way to live most of your life.
I can only play characters that I feel like are real people and in a complete way and in such a whole way that if I fake any aspect of it I will have failed them and literally they're slaughtered.
Because I believe that I know about that aspect of hip-hop better than any one else, I'm trying my best in order to be the most real I can in this situation.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
[I]nstead of the usual "Why can't we make movies more like real life?" I think a more pertinent question is "Why can't real life be more like the movies?"
The world of art, I have suggested, is full of fakes. Fake originality, fake emotion and the fake expertise of the critics - these are all around us and in such abundance that we hardly know where to look for the real thing. Or perhaps there is no real thing?
It's better to be a fake somebody than a real nobody.
I don't know what is in store for the movie business any better than anybody else does, but it does seem like my kind of movies are a little trickier than it used to be - or maybe a lot trickier.
You know why I love Chicago? Because this is just like Baltimore. Like, you can't go to Baltimore and be fake. They gonna point you right out, like, "Nah, you fake, go ahead outta here." They're going to chew you up and spit you out if you're fake. And if you come to Chicago, you can't be fake, in terms of the love and the concern. You gotta be real. Your good intentions - people want to feel that. We don't get enough of that.
I mostly like documentaries, so I always think things that happened in real life are so astounding that why would you make a movie about something fake.
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