A Quote by Steven Conrad
One of the things I noticed about the world was - it's funny, in the movie business, you meet a kind of guy who has a lot of money, whether they came by it as an actor or film-studio owner, and you realize these people aren't any smarter than you might be, or any more decent than you might be. It's just this weird fate of the world that it broke one way for someone.
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You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there are two things: You're getting off first, or I'm going to die. It's really that simple, right?
Tim is old school. He plays that way. That's why a lot of fans identify more with a Tim Heskett than with someone who is more dynamic. The more dynamic guy might be more pleasing to the eye, but he doesn't contribute any more to his team winning than Tim does.
I try to enjoy a movie or a television programme just like anybody else. I'd love to be emerged into the story and watch it, but if you work a lot as an actor, in any aspect of the industry, things might arise in a programme that somebody might miss, whereas it might catch your attention.
India is developing a lot of soft power, and it's not just about us providing outsourcing and call centers to the world. We are providing a lot of thought and a way of life. I think we're also respected for fundamentally a non-violent belief thanks to our religious roots whether it's Hinduism, Jainism, Buddhism, we contributed more religions to the world than any part of the world and that's something which does find its way into how the world looks at it.
Business is just like sports: if you're the best in the group that you run in, you're never going to get any better. It's the same thing in business. I surround myself with people who are smarter than me and have more experience than me, and I have gotten a lot of great advice.
I think that any time you are making a film you have to realize that the people you are talking with might be giving you misinformation. Sometimes it is factually incorrect and for that, it's important to me to check it out and not let things find their way into the film without being challenged, either by me, or by another character, or by evidence that you might see on screen.
The kind of funny irony is that a lot of people talk about ethical meat eating as if it's a way to care about things, but also not to alienate yourself from the rest of the world. But it's so much more alienating than vegetarianism.
Mathematics can have its problems, but it's actually hasn't seen a lot of the problems as some of the other sciences and so much of it in what people are doing is completely useless. Nobody kind of in really cares very much. You don't really have kind of right and left and people in ideology coming in because there isn't any. It just doesn't actually connect up to the kinds of things that people ideologically worry about. So most of mathematics just doesn't tell you anything one way or another about global warming or about healthcare or about any number of things that you might care about.
I feel like I have more in common with conservative people who have activist causes in their hearts and who are interested in electoral politics than I do with somebody who doesn't care, doesn't have any political interests, doesn't know what policy is, and doesn't think any of it matters to them. If you care, we're actually going to have a basis of conversation. We might supplementally get along very well, and that might be complicated and fun in a way that is more constructive than you'd expect.
Everything I learn about the world, whether it's the simple arcana of how commercial products are manufactured and designed and how they reach our shelves and where the chips come from and who does the code, to more profound things like whether or not a black hole might be penetrable as a wormhole, whether or not universes might be accessible from here, whether space can be stretched and compressed to enable faster-than-light travel without violating physical law - all of those things have tremendous story potential.
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
The world's geography is not realistic. Geography is not real. Borders are only closed to people but they are open to products. There is another type of geography outside of this matrix. Because of this we noticed we were talking about much more than just Latin America. That was very important to put the film on another level. Based on this idea, we knew that we were not in this world any longer.
Coming into World War II, we were seen as a conquering hero for beleaguered people, we are now seen as invader, an occupier. And what that is saying is we have more might than right, so we kind of have a kind of moral deficit disorder. And that's why a leader must lift us back to the higher ground, because at the end of the day what makes you strong is that you are believable, that as significant as might is, ultimately right is even stronger than might.
If everybody else your age is doing something very different than what you're doing, there's always going to be someone saying to you you might not succeed with it, you might not make any money with that... there's always going to be some type of obstacle in the way. All of those things will go away if you really focus on what makes you happy.
Few intellectual tyrannies can be more recalcitrant than the truths that everybody knows and nearly no one can defend with any decent data (for who needs proof of anything so obvious). And few intellectual activities can be more salutary than attempts to find out whether these rocks of ages might crumble at the slightest tap of an informational hammer.
In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.
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