A Quote by Steven Gould

Great,' I said. 'Visit exotic Australia. Get bitten by an exotic snake. Die exotically. — © Steven Gould
Great,' I said. 'Visit exotic Australia. Get bitten by an exotic snake. Die exotically.
When somebody else calls you exotic, exotic is a box - it's the stereotype of snake charmers and face jewelry. You're just that stereotype. But I don't get offended anymore. I used to get offended by things that were said to me, or how I was seen. Now I educate. If I get pissed off, I'll educate in a sassy way. Other times I educate in a Gandhi-like way. You know - I have my moods.
God, you Jews are truly exotic." Exotic? She should only know the Greenblatts. Or Mr. and Mrs. Milton Sharpstein, my father's friends. Or for that matter, my cousin Tovah. Exotic? I mean, they're nice, but hardly exotic with their endless bickering over the best way to combat indigestion or how far back to sit from the television set.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
But, Christ, there's a difference between exotic and foreign, isn't there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.
Hey bands, you're all welcome to fly me to some exotic location and I'll record you there, Y'know that right? You don't have to come to this God forsaken place. Hope I can visit you all in Australia one of these days that would be hot! We'll talk again soon.
Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic.
Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
When I think about the most exotic, beautiful places, Porto is at the front of my mind. It's incredible, man. You have an idea of what Europe is like as an American, and people talk about Paris, Berlin and Stockholm, which are all great, but it wasn't until I went to Porto that I felt that idea of this exotic, beautiful, timeless place.
[On her writing agenda:] Make the familiar exotic; the exotic familiar.
Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism?
One of the easiest forms of pretense to break down is the pretense of enthusiasm for exotic foods. Just bring on the exotic foods.
I get upset about what is taken as great literature and what is cute and exotic.
Other people's traditions look charming and decorative and exotic. They're nice places to visit on holiday, but you wouldn't want to live with one.
I've been quite fortunate to visit juvenile detention centers in Australia, jails in Western Australia. To be able to go out there and visit and see what it's like, you get a feeling for it.
I was lucky that one of my first movies, 'One Million Years B.C.' was made in Europe by a British company. The Brits, and a lot of the rest of Europe, seemed to really love exotic women. The fact that I was American and exotic just made me more appealing to them.
For the white man to ask the black man if he hates him is just like the rapist asking the raped, or the wolf asking the sheep, 'Do you hate me?' The white man is in no moral position to accuse anyone else of hate! Why, when all of my ancestors are snake-bitten, and I'm snake-bitten, and I warn my children to avoid snakes, what does that snake sound like accusing me of hate-teaching?
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