A Quote by Steven Hall

'Homeward Bound.' I find myself listening to that tune a lot when I'm traveling. Sitting in a railway station, wanting to go home, carrying all your stuff with you. — © Steven Hall
'Homeward Bound.' I find myself listening to that tune a lot when I'm traveling. Sitting in a railway station, wanting to go home, carrying all your stuff with you.
I lived at home and I cycled every morning to the railway station to travel by train to Johannesburg followed by a walk to the University, carrying sandwiches for my lunch and returning in the evening the same way.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.
I'm not that good of a drawer. I don't know how people just draw stuff out of their head. I'm always creating schemes. If I have to draw someone sitting in a chair, I have to go find a chair, sit in it, and take a picture of myself sitting in it.
The only other thing I can really remember wanting to do besides acting was a gas station attendant. At the time, that seemed like a great job - wash the windows, pump the gas - it looks so cool coming home with black hands. There's a natural transition, from wanting to be a gas station attendant to being an actor, right?
It is often said that the Japanese are extremely clean at home, or inside any house or office, but dirty and untidy outside. 'Go and look at a railway station,' I was told, 'and you'll be horrified.' I went and was horrified; horrified by the cleanliness of the place.
But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.
If real, regular, normal, boring life, (when you're at home every day, seeing the same people, doing the same things) is like sitting at home on the floor surrounded by toys... traveling feels to me like going to Toys R Us with your toy box and getting to trade stuff in and buy new things and explore whole new ideas.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
Is that a pistol in your pocket or are you just glad to see me? (She made this remark in February 1936, at the railway station in Los Angeles upon her return from Chicago, when a Los Angeles police officer was assigned to escort her home)
History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles.
Life’s a voyage that’s homeward bound.
One criticizes the English for carrying their teapots wherever they go, even lugging them up Mount Etna. But doesn't every nationhave its teapot, in which, even when traveling, it brews the dried bundles of herbs brought from home?
I always call myself a space construction worker. We were only the second mission ever to go to the space station. There was nothing on board. We brought the first three tons of equipment, including some of the Imax camera stuff. We literally switched the light on to the station and walked in. It was an assembly mission.
When 'The Road To Hell' happened, I didn't know what I was doing. Your diary fills up, and you have no objectivity. At home, you're trying your best to fit in. Sometimes I'd race from Heathrow to find myself sitting in a village hall watching my kids. It felt really weird. I didn't enjoy it.
There's a lot of trickery that can go on in the studio, and there's a lot that one can do - none of which I am interested in even slightly. I mean, you can actually tune vocals and stuff like that, but it's so hideous, I can't believe it.
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