A Quote by Steven Millhauser
Stories, like conjuring tricks, are invented because history is inadequate for our dreams.
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Because crime stories reveal an aspect of our personality that everybody has, but which we normally keep very deeply hidden. We like to talk about the good sides of ourselves. We don't like to talk about our hatreds, our distrusts of one another, our secrets, but crime stories drag those things to the surface and consequently they fascinate people and always have throughout all history.
How Bush and his junta succeeded in deflecting America's anger from bin Laden to Saddam Hussein is one of the great public relations conjuring tricks of history. But they swung it. A recent poll tells us that one in two Americans now believe Saddam was responsible for the attack on the World Trade Centre.
We've all heard stories about poker players grinding it out for two days straight. Believe me; I've got stories like that of my own. But the bottom line is that these stories usually don't have great endings. That's because the mind starts playing tricks after a marathon poker session, especially after a losing session.
I like characters and stories that challenge the status quo. Lately, I'm really interested in history because I find that in my public school education, I didn't learn about women in history. I want to introduce the world to some great stories and incredible heroes.
Sometimes doubting is not a lack of faith, but an expression of it. Sometimes to doubt is to merely insist that God be taken seriously not frivolously, to insist that our faith is placed in and upheld by something other than seeming conjuring tricks.
Mind is nothing but dreams and dreams - dreams of the past, dreams of the future, dreams of how things should be, dreams of great ambitions, achievements. Dreams and desires, that is the stuff mind is made of. But it surrounds you like a China Wall. And because of it the fish remains unaware of the ocean.
God invented mankind because he loved silly stories. Ralph Steadman I like being absurd.
For girls and women, storytelling has a double and triple importance. Because the stories of our lives have been marginalized and ignored by history, and often dismissed and treated as 'gossip' within our own cultures and families, female human beings are more likely to be discouraged from telling our stories and from listening to each other with seriousness.
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
We as Black people have to tell our own stories. We have to document our history. When we allow someone else to document our history the history becomes twisted and we get written out. We get our noses blown off.
It is wonderful what tricks our dreams play us, and how conveniently we can imagine.
Stories--from the literature of our culture to descriptions of our days to the lunatic's ravings--appear to be hardwired into us. Even in sleep we tell ourselves stories through our dreams, and it's been shown that those who are prevented from doing so cease to function.
He spent hours and hours and hours practising these conjuring tricks. It's just such a curious thing.
There are stories we take on from our culture, and there are stories based on our own personal history. Some of those stories lock us in limiting beliefs and lead to suffering, and there are others that can move us toward freedom.
These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything.
As children, we did not have toys. We invented characters and animals; we invented stories.
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