A Quote by Steven Millhauser
One thing I learned is that the park by the river in a recent story, 'Getting Closer,' is the same park by the river that appears for a moment near the end of 'The Eighth Voyage of Sinbad,' a story first published 23 years earlier. This echo at first irritated me, then pleased me deeply.
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I recycle and try to be nice to the earth. But flora and fauna have always interested me, and it is because of so many years of summer camp and growing up in DC with Rock Creek Park fairly near me, or Glover Park; I lived in Glover Park for a while and that park was in my backyard.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
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It took me seven years of writing before I published my first story. And then, the publications trickled in over the next five years.
When I began work on my first book, 'The River of Doubt,' which tells the story of Theodore Roosevelt's 1914 descent of an unmapped river in the Amazon rainforest, I thought of it as a tale of adventure, exploration and extraordinary courage.
When I began work on my first book, The River of Doubt, which tells the story of Theodore Roosevelts 1914 descent of an unmapped river in the Amazon rainforest, I thought of it as a tale of adventure, exploration and extraordinary courage.
Whenever I think of my birthplace, Walton-on-Thames, my reference first and foremost is the river. I love the smell of the river; love its history, its gentleness. I was aware of its presence from my earliest years. Its majesty centered me, calmed me, was a solace to a certain extent.
It took me 10 years to write a story that pleased me - that I could look at after it was published and not cringe.
The first thing I remember was going up to Celtic Park to watch Celtic, feeling the full effect of the stadium. When you see the players on the park for the first time, you get sucked in and it's like a dream.
Your only guidepost is your own instinct and judicious editing. In my stand-up act I learned that in the first 10 minutes I could say anything and it would get a laugh. Then I'd better deliver. In the movie it's the same thing. You get a lot of laughs when people first sit down and then the story better kick in. Many years in front of an audience, I would hope, give me a sense of what works.
At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.
Arya.' He looked down the silvery river and then back at Arya, and he gripped the hilt of Brisingr. He was so full of emotion, he trembled. He did not want to leave, but he knew he must. 'Stay with me-' Her gaze darted up. 'I cannot.' '...stay with me until the first curve in the river.' She hesitated, then nodded.
The river and the garden have been the foundations of my economy here. Of the two I have liked the river best. It is wonderful to have the duty of being on the river the first and last thing every day. I have loved it even in the rain. Sometimes I have loved it most in the rain.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
The river has taught me to listen; you will learn from it, too. The river knows everything; one can learn everything from it. You have already learned from the river that it is good to strive downwards, to sink, to seek the depths.
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