A Quote by Steven Millhauser

If you read a story with an 'I' or a 'he' or a 'she,' you're in familiar territory - but 'we' is mostly unexplored. I think of 'we' as an adventure. — © Steven Millhauser
If you read a story with an 'I' or a 'he' or a 'she,' you're in familiar territory - but 'we' is mostly unexplored. I think of 'we' as an adventure.
I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
In the minds of most men, the kingdom of opinion is divided into three territories,--the territory of yes, the territory of no, and a broad, unexplored middle ground of doubt.
I think God is the most unexplored territory in rock and roll music.
My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
SHADOW PROWLER is a fresh, exuberant take on territory that will be familiar to all fans of classic high fantasy. Alexey Pehov introduces a cast of charming, quirky, unsavory, even loathesome characters in a fast-paced, entertaining adventure.
I'm scared. I'm excited. I'm ready for whatever happens but I think that fame is what comes along with the territory when you open yourself up and become this story, this book for anyone to read.
Originality is unexplored territory. You get there by carrying a canoe - you can't take a taxi.
If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.
I mostly paint animals I'm familiar with, but I did a series of paintings of ravens, so I read everything about them.
I loved adventure movies. I loved movies where people went on an adventure to an unknown land, an undiscovered country, or a new territory. I think there's something, right at the center of storytelling, that people love about that.
The brain is a world consisting of a number of unexplored continents and great stretches of unknown territory.
You know that I had heard so many times people say things like, 'You could never write 'Harry Potter' and have it be about Harriett Potter because nobody would read it; people only want to read an adventure story if it's about a boy,' and I thought, 'I don't think that's true.'
As a director, I've wanted to have adventure in my life, creative adventure. I think it's partly because I grew up, basically from age six to 26, mostly on television series where the producers find something that works and then do it over and over and over again.
She became a story, one I have mostly forgotten. One I can't end because she died a long time ago.
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