A Quote by Steven Moffat

Between the marriages, I shagged my way round television studios like a mechanical digger. — © Steven Moffat
Between the marriages, I shagged my way round television studios like a mechanical digger.
I hadn't been there [Comic-Con] before. It's pretty eye-opening, when you haven't been there, just with the sheer amount of fans that are there for different shows and films. It's like a big fan symposium, in a way, as well a way for film studios and television studios to really promote their product to their loyal audience base. It was an experience.
She worded it a bit strongly, but I do find myself more and more struck by the differences between the sexes. To put it another way: All marriages are mixed marriages.
Divide in yourself the mechanical from the conscious, see how little there is of the conscious, how seldom it works, and how strong is the mechanical - mechanical attitudes, mechanical intentions, mechanical thoughts, mechanical desires.
It was actually, 'Where ever there is television, there is poor old shagged out Tom Baker running across the rocks and punting down the river.'
My father always said, 'I don't care if you're a ditch digger, as long as you're the best ditch digger in the world.'
Most people don't live aware lives. They live mechanical lives, mechanical thoughts - generally somebody else's - mechanical emotions, mechanical actions, mechanical reactions.
Television studios bet the farm on reality shows, where they didn't need any actors and movie studios had no plans for any quality movies that required the presence of me.
Marriages had different meanings back then than they do now, they were used to cement agreements between families, business deals and things like that. The idea of marriages being arranged for love is some sort of modern idea, really.
Many things are mechanical and should remain mechanical. But mechanical thoughts, mechanical feelings—that is what has to be studied and can and should be changed. Mechanical thinking is not worth a penny. You can think about many things mechanically, but you will get nothing from it.
After great pain, a formal feeling comes — The Nerves sit ceremonious, like Tombs — The stiff Heart questions was it He, that bore, And Yesterday, or Centuries before? The Feet, mechanical, go round — Of Ground, or Air, or Ought — A Wooden way Regardless grown, A Quartz contentment, like a stone — This is the Hour of Lead — Remembered, if outlived, As Freezing persons, recollect the Snow — First — Chill — then Stupor — then the letting go —
There is no way to success in art but to take off your coat, grind paint, and work like a digger on the railroad, all day and every day.
If you drop a line in the theatre, you can usually find a way round it. But you can't do that as easily on television - you're in the hands of too many people.
I grew up in television studios watching Mum and Dad do 'This Morning' and other stuff, and I'm just like lots of people, I'm following in their parents' footsteps.
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
In Hollywood, there is no bigger commitment you can make than to a TV series. Even marriages pale in comparison. Marriages don't require signing iron-clad multiyear contracts. At least, most first marriages don't.
There's a really unique relationship between a single parent and their child. Marriages so easily break up. There's kind of this temporary deal about marriages. That's one of the things that makes it stressful, and that's something that's nonexistent in a parent-child relationship.
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