A Quote by Steven Moffat
If you don't expect to like someone and then you do, that's an incredibly exciting moment.
Related Quotes
Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.
When you're a kid, you have no power. You're physically small and weak, and adults are constantly telling you what to do. So it's incredibly compelling to imagine yourself not only as someone to whom exciting things happen but as someone who is more than those around you. The problem is that then you begin to grow up and realize you're just a lowly muggle. … Is it possible that all of us, weaned on these stories, end up inevitably disappointed with mundane life as it actually exists?
I don't care if I'm loved back, I still want to love someone.?Someone, from the bottom of my heart...?Straightforward, unwavering...?It seems like such a simple thing, so then why....?...Must it be so incredibly hard?
The moment you can learn to deal with homosexuality in art, it's quite an exciting moment, just as in a sense when people 'come out' it's quite an exciting moment. It means they become aware of their desires, and can deal with them in a remarkably honest way.
I find London really exciting but there's a lot of vicious success here. Like New York, there's a lot of incredibly successful people who feel incredibly entitled, perhaps justifiably, but I don't want to be around viciously entitled people.
You know how you always expect someone to think the same as you and then your like, really shocked when they don't? Like when it's a cold day and you turn to the person next to you and say, 'Its so cold, aren't you cold?' and then they say 'no.' It's kinda like, 'what, are you a communist?'
It's like, if someone asks me to do something and it seems like a really exciting project, but I maybe really frightened about it, nine times out of then I'll say yes imminently because then I can worry after I've said yes!
I can be incredibly angry with someone, I can be incredibly critical, but... I went through a period where I was reading a lot of memoirs of guards in holocausts and serial killers. I like to understand why people do bad things.
When someone helps you, then that means one thing, all they expect in return is for you to show them what you're doing and for you to help someone else.
I think acting is a gift. I look at someone like Ben Kingsley, and he's incredibly charismatic, even when he's not acting. He's an incredibly hard worker, and he has a very specific system that he does with his work.
All the Oscars stuff for 'An Education' was incredibly exciting, especially because it was such an underdog project - no one would give us the money for it, and we all nearly gave up because it wasn't getting anywhere, then suddenly a breakthrough and this really lovely film, which then took on a life of its own.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I think that I have come at it backwards in a way because a lot of what I'm doing as a songwriter is not incredibly intentional. There's a moment that happens which creates the song or the actual idea for a song, and then I'm like, "Oh, it's this kind of song."
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
Talent is a very potent aphrodisiac. When someone is incredibly gifted, I find them incredibly sexy.
Prince, you never knew what to expect from him from one album to the next. Miles Davis was like that. You know, once you get used to one style, boom, he switched it and, you know, switched gears on you. So those artists are very exciting to me, very exciting to follow their path, you know, and their journey.
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