A Quote by Steven Moffat
Like most writers, I write about what has happened to me as that involves the minimum amount of research.
Related Quotes
Everything that I write about is a kernel of something that probably happened to me or one of my writers that I've co-opted and made it seem like it's mine.
If you don't write about what you know, you're like a barrister and have to do a frightful amount of research for each case.
Here in New York, we're media obsessed. Writers write about writers who write about writers and reporters and freelancers, and it's just a festival of information. We're all analyzing and examining and predicting, and I can't imagine that it's like that everywhere else.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
To me, the contemporary novel suffers from a lack of sense of place - or spirit of place, if you will. It's not important to most writers, I must assume, or they try to research a given background on sabbatical. Not for me. I write about places I've lived long before I ever set pen to paper.
Most writers write to say something about other people - and it doesn't last. Good writers write to find out about themselves - and it lasts forever.
I'm not afraid to write about madness. I always figure that whatever most embarrasses you is something that everyone can relate to, really...because we're just not that different. So if you think, 'Oh my god, this is so embarrassing. I can't possibly talk about that,' and you write about it, the audience is gonna be like, 'that happened to me!
I like contemporary American literature and I like biographies and I like jazz and I like baseball and I like writers who write about the human condition and sci-fi is just something that I happened into.
Some writers research in order to write. I write in order to research topics that interest me. Especially if I can meet with other people, in forums from illness support groups to phone-sex hotlines, and learn what other people know best.
The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
In terms of the Eastern Europe stories, my family is originally from there; even as a kid, it was the Russian writers I loved most, and I've spent a substantial amount of time there myself, traveling and on research grants.
To acquire balance means to achieve that happy medium between the minimum and the maximum that represents your optimum. The minimum is the least you can get by with. The maximum is the most you're capable of. The optimum is the amount or degree of anything that is most favorable toward the ends you desire.
I don't know if make a conscious effort to vary the characters and subjects that I write about, but I do find myself keeping track of ideas that come along, as probably most writers do, and whatever seems most interesting to me when I flip through my notes before I begin a new story is usually what I will try to write about next.
I've known several cases of writers who decide to write about something and they research the hell out of it and when they're ready to write, they can't move because they are so burdened. I start writing. Whatever I need somehow comes to hand.
The Band-Aid solution is actually the best kind of solution because it involves solving a problem with the minimum amount of effort and time and cost.
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