A Quote by Steven Morrissey

I wear black on the outside 
'Cause black is how I feel on the inside. — © Steven Morrissey
I wear black on the outside 'Cause black is how I feel on the inside.
When I look around, I see so many incredible Black performers, inside and outside of our company. It feels like a really great time for Black wrestlers, and there are so many Black wrestling fans that I feel are starting to see themselves on screen.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
The performance of black American identity feels very different from actually living in a black body. There's a dissonance between inside and outside.
You can wear black in any moment of the day, no matter your age. You can wear black with almost any occasion. A black dress is essential for every woman.
I am a black man inside and outside and you are white men on the outside, but inside, you are Africans like me.
Black is the most slimming of all Colors. It is the most flattering. You can wear black at any Time. You can wear it at any age. You can wear it for almost any occasion. I could write a book about black.
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
In my own life, when I'm not working, I do wear a lot of black. I think I do feel very comfortable in black.
With the Black Lives Matter movement, a lot of the focus is on the protest and dissent. I'm hoping to dismantle the public notion - for folks outside of the community - of what Black Lives Matter means. It's really about saying that black lives matter: that humanity is the same when you go inside people's homes.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
I wear the black for the poor and the beaten down, Livin' in the hopeless, hungry side of town, I wear it for the prisoner who has long paid for his crime, But is there because he's a victim of the times. I wear the black for those who never read
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
You can wear black at any time. You can wear it at any age. You may wear it for almost any occasion; a 'little black frock' is essential to a woman's wardrobe.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
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