A Quote by Steven Morrissey

If met Vic Reeves, I'd have no desire other than to smack him in the face. — © Steven Morrissey
If met Vic Reeves, I'd have no desire other than to smack him in the face.
I came up with the Vic Reeves character for a stage project and people presume that's my name, even when I do other acting jobs.
It's really weird seeing someone impersonating you. But at the same time, Vic Reeves' impersonation of me is one of the highlights of my life.
Working with Vic Reeves in a beautiful English field surrounded by loads of chicken wire - it's every person's dream job.
People can see that we are part of a tradition of absurd comedy, stretching from Spike Milligan and Peter Cook through to Monty Python and Vic Reeves. We're not like Ricky Gervais's hyper-real cringe comedy. We're at the other end of the scale, but there's room for the sillier stuff, too.
I had met Keanu [Reeves]a few times so it was a great way to reach out to him with an actual job offer. He very kindly agreed to be part of it and it was an amazing experience.
I guess standup is really painting pictures with words - especially for me, as I describe quite fantastical, visual things. My art teacher, Dexter Dalwood, always seemed to think they were linked. We bonded over our love of Vic Reeves.
Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.
I wasn't happier for anyone more than Vic Fangio. He deserved to be a head coach, in my opinion. I was really pulling for him and pushing him whenever I got a chance.
I'll be seen as eccentric, like Vic Reeves or Spike Milligan, which would be amazing. But I suppose I'm in this weird transitional period between having some success doing weird stuff and not being eccentric yet. I'm in limbo.
When Dawn looked at Vic, she saw Vic exactly as he wanted to be seen. Whereas Vic's parents couldn't help seeing who he used to be, and so many friends and strangers couldn't help seeing who he didn't want to be anymore, Dawn only saw him. Call it a blur if you want, but Dawn didn't see a blur. She saw a very distinct, very clear person.
I started writing sketches when I was 13. I liked Vic Reeves, Fry and Laurie, and Paul Merton, and I thought you could just send sketches to the BBC, and they'd go, 'Great. We'll put these on telly.' But I gradually realised that you either had to go to university and join a club, or do standup.
I was the originator of smack. Some guys rattle with smack; with other guys it rolls right off their shoulders like nothing.
Ted Cruz is a liar. I never met a liar like him. I met a lot tougher people than him but I never met a guy who lies this much.
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
If you've got on the one hand death, dogmatism, domination, and on the other you've got desire in the face of death, dialogue in the face of dogmatism, democracy in the face of domination, then philosophy itself becomes a critical disposition of wrestling with desire in the face of death, wrestling with dialogue in the face of dogmatism, and wrestling with democracy, trying to keep alive a very fragile democratic experiment.
Nicolas Sarkozy said he could see a wave rising. For once he was right. The wave's coming; it's high, its strong, and it's going to smack him in the face.
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