A Quote by Steven Morrissey

[I'll be the first one of the Smith to die.] I'll be shot - probably by one of the ex-Smiths. — © Steven Morrissey
[I'll be the first one of the Smith to die.] I'll be shot - probably by one of the ex-Smiths.
I went from working with Will Smith to working with Will Smith's wife. So the Smiths have been very good to me.
I know there's bands that might write something that sounds like The Smiths, and they'll go, 'Oh, it sounds like The Smiths, we've got to make it sound not like The Smiths.'
I like The Smiths - I would love to do a song with The Smiths, because they are so sonically different.
Man, first I’m shot, now I’m going to be a friggin’ zombie. At this rate, I’ll never live to have my first date or a driver’s license. Ah, gah! I’ve come too far to die a predestrian virgin. Bubba, you can’t let me die…I only have seventeen more months and three days to my sixteenth birthday! (Nick)
I have so much pride and love for the songs of The Smiths. However, I must ask you, if you come across any Smiths CDs, don't buy them, because all the money goes to that wretched drummer.
The solo years have been more meaningful to the audiences than the Smiths years, but the press in England only write about me in relation to the Smiths era.
We heard about the Smiths later, through friends. What attracted us was how they could get across the meaning of the lyric through the tone of the vocal. A lot of bands just try to be catchy. The Smiths wanted to be more.
I will play the characters with last names like Sanchez and Gonzalez until the day I die, but I also want to play the 'Michelle Smiths.'
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
Nolan Smith is going to be a guy that can drive to the basket, can create his own shot.
I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].
One thing a shooter loves is to make his first shot. He makes his first shot from three; that builds confidence.
A lot of people say that I took the first shot for Bitcoin. The first person to walk through the door always gets shot, and then everyone else can come through.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
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