A Quote by Steven Pasquale
But professionally I've never felt as strongly about a project, with the exception of 'The Bridges of Madison County', as 'The Light in the Piazza'.
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Once a person knows a kiss and a kind word, you can't blame him for never wanting to live without them again. - "The Bridges of Madison County"
If wives or girlfriends are knowledgeable about sports, it only benefits their relationships. It's all about give-and-take negotiations, like saying, 'I'll see 'Unforgiven' if you'll see 'The Bridges of Madison County.'
I felt very strongly about the Ashley Madison thing. Of the 39 million people who signed up for Ashley Madison, only a tiny percentage of them actually had an affair. And I'd go a step further and say even if they did, it's none of our business, frankly.
A piazza is not a plaza. The plaza is the theme park of the piazza; the plaza is the commercial version. A piazza is an empty space with no function. This is what Europeans understand.
In my 20s, my mom and I went and saw the bridges of Madison County, which are in Iowa, and I had seen that movie with Clint Eastwood and Meryl Streep. I've always done these Iowa road trips. I did this transcendental meditation course in Fairfield, Iowa. So I've known since my early 20s that someday I would buy a farm in Iowa.
I felt very strongly the whole social impact of that depression, you know, and I felt very strongly about the efforts that this Resettlement Administration was trying to accomplish; resettling people, helping them, and so on.
Bridges are burning all around us; bridges to responses that might have mitigated the already brutal (and just beginning) ravages of Peak Oil; bridges to reduce the likelihood of war and famine; bridges to avoid our selectively chosen suicide; bridges to change at least a part of energy infrastructure and consumption; bridges to becoming something better than we are or have been; bridges to non-violence. Those bridges are effectively gone.
I come from a small county outside of Washington DC called PG County, and me, my mom, my brother, we moved so many different places growing up. And it felt like a box. It felt like there was no getting out.
The forefathers, including James Madison, felt very strongly that the duties that we owe to God were outside of government's prerogative, that government had no business interfering with the way we worship God.
I really enjoy 'The Beauty Is' from 'Light in the Piazza.'
I already achieved my dream by fighting at Madison Square Garden for my second pro fight. I felt like I won the world title already, and I only had two professional fights. Madison Square Garden stands alone as far as boxing venues are concerned, and I dream about going back there again.
'The Light in the Piazza' is one of my top three musicals of all time.
The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?
Singing has always been something that I've loved to do, but I never thought about doing, professionally. I always felt more drawn to acting.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
But I have a problem with the term 'light'. I never in my life knew what to do with that. I know that people have mentioned on some occasions that 'Richter is all about light', and that 'the paintings have a special light', and I never knew what they were talking about. I was never interested in light. Light is there and you turn it on or you turn it off, with sun or without sun. I don't know what the 'problematic of light' is. I take it as a metaphor for a different quality, which is similarly difficult to describe. Good.
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