A Quote by Steven Pasquale

I love TV and film and will happily work there if it's good. But I want the ability to choose between things, to have options. — © Steven Pasquale
I love TV and film and will happily work there if it's good. But I want the ability to choose between things, to have options.
I don't want to choose between commercial and independent cinema. I just want to choose between a good film and a bad film.
If I have to choose between a Bollywood film and Pakistan film, it may sound cliched, but I will go with the script first. And if both the scripts are equally good, then I will choose a Pakistan film.
I will tell you that I'm a bit of a snob. I love film, and I would like to work in film, and I'm disappointed that indie film is as hard as it is to work in now. It's hard to get things done, but that sort of work is being done on TV. That's what I do; that's what I write. It's what I love, and hopefully, that's what my future's going to be.
I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next?
When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself. Then I said, 'Look what are the options?' Cricket is the only option. Whether I play happily or sadly, it's still all I have. There are not a lot of things I am good at.
In reality, many choices are between things that are not that much different. The value of choice depends on our ability to perceive differences between the options.
You stay with the foundation and then you just try different things because you don't know how the director will cut it and you want to give him, what will work, and you want to give him some options, give yourself some options, discover some things when you start to play. That's what we do; we get paid to play.
I've always wanted to have the ability to do what I want to do. And there are so many things that I want to do because I love acting, I love directing, I love producing, I love being a mother, I love being a wife. If I had to choose one, just would put me in the crazy house.
When we love another, we never ever seek to limit or restrict them in any way whatsoever. Love says, "My will for you is your will for you." Love says, "I choose for you what you choose for you." When I say, "I choose for you what I choose for you," then I'm not loving you. I'm loving me through you, because I'm getting what I want, rather than seeing you get what you want.
I want to go wherever there's great work. I'm a huge fan of film primarily. But you can get a great TV show and get attached to it. Making a great film is forever, though, so I always want to be part of film. It's my first love.
Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and something never die - but the thought of those sweet kernels bursting between my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weight the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.
Passengers want options, and when they have options, like passenger rail, they choose them.
I have always been of the mind that good work is good work, whether performed on stage, on television or in film and, like any reasonable actor, I keep my options open.
When you retire, you start to try different things and you choose the one you enjoy the most. As a player, it's difficult to know if you'll be a good manager or not because you might think you can't deal with the dressing room or won't enjoy the game from the sidelines. There's also punditry and careers on TV, so football gives you many different options.
We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall.
It’s not a perfect situation. But when you have to choose between two bad options, you pick the one that saves the people you love and believe in most. You just do. Okay?
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