A Quote by Steven Pinker
People do not think in English or Chinese or Apache; they think in a language of thought. This language of thought probably looks a bit like all these languagesBut compared with any given language, mentalese must be richer in some ways and simpler in others.
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My shirt and my hat always say 'World Champion' in some language. English, Spanish, Chinese, 'Star Wars' language, which is also known as Aurebesh, mermaid language.
If you care about being thought credible and intelligent, do not use complex language where simpler language will do.
Chimps can do all sorts of things we thought that only we could do - like tool-making and abstraction and generalisation. They can learn a language - sign language - and they can use the signs. But when you think of our intellects, even the brightest chimp looks like a very small child.
You need language for thought, and you need language to anticipate death. There is no abstract thought without language and no anticipation. I think the anticipation of death without language would be impossible.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
One of the series I like is D.M. Cornish's 'Monster Blood Tattoo,' in which he creates a whole language. Kids who are reading that are building a language in their heads. There's no real cognitive difference. I think kids are excited by language, and they're not always given credit for that.
If thought corrupts language, language can also corrupt thought. A bad usage can spread by tradition and imitation even among people who should and do know better.
Black English is simpler than standard English in some ways; for example, it often gets by with just 'be' and drops 'am,' 'is,' and 'are.' That's because black English arose when adult African slaves learned the language.
I have difficulties with contemporary language. Big difficulties. I counted, you know, something like 160 words have disappeared from the English language because of the use of the word "like." "I'm like, he's like" - not "thought," not "as if ."
Language is always ambivalent. Its forms mutate and connect in unexpected ways. It's hard to instrumentalize language. But I think it's better to explore linguistic potentials than to keep on using language that's past its expiration date.
I never taught language for the purpose of teaching it; but invariably used language as a medium for the communication of thought; thus the learning of language was coincident with the acquisition of knowledge.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
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