A Quote by Steven Pinker

I'm very interested in language because it reflects our obsessions and ways of conceptualising the world. — © Steven Pinker
I'm very interested in language because it reflects our obsessions and ways of conceptualising the world.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
I am very interested in writers from the Francophone world. I like Kamel Daoud a lot, for example. In "The Meursault Investigation" and "Zabor," he shows a passion for the French language, a very special way of writing that belongs to those who live on the other side of the Mediterranean Sea. It is language that connects us. It allows people there to cling to our history, our culture and sometimes also our values.
Sure, there are moments that you can escape, and you can sit back and just enjoy it, but one of the most fun things about 'The Witcher' is that it reflects on our real world, in big thematic ways, in political ways, and in cultural ways.
Art often reflects what's going on in the world, and we're seeing stories that are very diverse and that are lead and made by women because that's what's in our world.
My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
It is clear that everybody interested in science must be interested in world 3 objects. A physical scientist, to start with, may be interested mainly in world 1 objects--say crystals and X-rays. But very soon he must realize how much depends on our interpretation of the facts, that is, on our theories, and so on world 3 objects. Similarly, a historian of science, or a philosopher interested in science must be largely a student of world 3 objects.
I'm interested in the way our world is defined by language, the living word. How restrained we are by the concept of language, but when you tweak it a little bit your eyes can be opened and your world is totally changed.
Be sure to enjoy language, experiment with ways of talking, be exuberant even when you don't feel like it because language can make your world a better place to live.
Writers interest me for their style, their obsessions, the ways in which they approach the world.
Singing in second language makes you brave in a way you're not aware of. You say things in very blunt ways or direct ways. It sets your mind free because you don't have a history with the language. You have to use the most direct way of communication, which is saying what you want to say in the way you can.
I'm very interested in the visual world because I'm also very interested in feminism. I find that the world of watching takes us into the most psychotic state of, like, "You are this one person, but you have to become another person to see these images."
A new language always reflects a new point of view, and the gradual unconscious popularization of new words, or of old words used in new ways, is a sure sign of a profound change in people's articulation of the world.
I'm interested in how memory and power come together in evil. These are obsessions of mine that appear throughout, like the theme of music. I know at some point or another one of my obsessions will emerge. You don't know how much I save in psychiatrist bills with this writing!
I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.
Perhaps randomness is not merely an adequate description for complex causes that we cannot specify. Perhaps the world really works this way, and many events are uncaused in any conventional sense of the word. Perhaps our gut feeling that it cannot be so reflects only our hopes and prejudices, our desperate striving to make sense of a complex and confusing world, and not the ways of nature.
When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it.
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