A Quote by Steven Pressfield
Ignorance and arrogance are the artist's and entrepreneur's indispensable allies. She must be clueless enough to have no
idea how difficult her enterprise is going to be and cocky enough to believe she can pull it off anyway."
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I was often told that I wasn't a thing. 'She's not pretty enough. She's not tall enough. She's not thin enough. She's not fat enough.' I thought, 'O.K., someday you're going to be looking for someone not, not, not, not, and there I'll be.'
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
Sarah Brown is a sweetie to work with. She's a good actress. She's gutsy and she comes in and she knows her lines. She's just terrific. Sometimes I forget how young she is, because she truly walked right in and took the territory and was able to hold her own with people who've been here for so many years. To be able to pull that off [for someone who had never been on a show], I really give the woman a lot of credit. She's done great.
Bina rolls her eyes, hands on her hips, glances at the door. Then she comes over and drops her bag and plops down beside him. How many times, he wonders, can she have enough of him, already, and still have not quite enough?
I have a girlfriend. I give my heart to her. She's around, she's everywhere, we travel together. She's beautiful, she's gorgeous, she's everything you want in a woman. She doesn't complain.. but I can tune her out just enough.
She was desperate and she was choosey at the same time and, in a way, beautiful, but she didn't have quite enough going for her to become what she imagined herself to be.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
She became so important to them that they wondered how they had ever managed without her in the past. And the longer she stayed with them the more indispensable she became, so indispensable in fact that their one fear was that she might some day move on.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
I can't believe that Hillary Clinton wants the world to think that whenever she gets into political trouble, she's going to have her husband come roaring about, breaking furniture, sucking up oxygen, spewing carbon dioxide. My impression is that she's strong enough to defend herself - she certainly showed that in the recent Democratic debate. But apparently she's not strong enough to control Mr. Bill. And if that's the case, any sane voter would have to think twice before enabling this sort of circus act in the White House.
I'm pretty laidback as a dad anyway. I just trust her so much. She has a great head on her shoulders and she makes pretty good decisions most of the time. She even has enough common sense that if she makes a bad one she makes adjustments and knows that's what life is. It's a day-by-day, step-by-step journey through life, as she says in the movie.
I want to tell her that I can't pull her down. I want to tell her that she has to let go of my hand in order to swim. I want to tell her that she must live her own life. But I sense she already knows that these options are open to her. And that she, too, has made her choice.
She's my friend, the boy said simply. That's who she is and that's enough for me. As Minli looked at the buffalo boy, aglow with happiness against his poor surroundings, she saw it was enough for him. More than enough, as the smile that kept curling up on his face told her.
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